Distance Is Always Blue

A small Egyptian police band travels to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves stuck in the wrong town.

Ce qu'il nous reste

With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

I Believe is a dance show that transports us to a magical and reflective universe, where fairies, mystical beings, guard nature and dedicate themselves to protecting the balance of life on Earth. These beings symbolize the purity and strength of the environment in perfect communion with the forests, rivers and mountains, maintaining the beauty and health of the planet. However, this harmony is threatened by the growing greed of human beings, who, blinded by power and the desire for wealth, exploit natural resources.

Time passes but nothing changes. Opportunities are missed one after the other. Until finally there's a way out.

A night of tortured and solitary sleep, in which fears unfold and a bell tolls.

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

Mara—the spirit of the night, the weaver of darkened dreams—pressed upon my chest as sleep held me captive. My memory. In the haze of a dream, I saw those I loved, their faces bathed in an otherworldly glow. The nightmare was not the shadows nor the fear they whispered, but the cruel certainty of waking—of losing them to the morning light

Two stories about different ways two people overcome loss; which may or may not be connected.

After losing his brother in a car accident, Robbie obsesses over the last conversation they had about a treehouse they wanted to build as kids. Through extreme isolation and a number of obstacles, Robbie attempts to build the treehouse to the exact specifications his brother wanted.

A tormented man struggling with his inner demons, seeks desperately a way to be at peace with himself.

At a national park in Kenya, English game warden George Adamson and his wife, Joy, care for three orphaned lion cubs. After the two larger lions are shipped off to a zoo in the Netherlands, the smallest of the three, Elsa, stays with the couple. When Elsa is blamed for causing an elephant stampede in the nearby village, head warden John Kendall demands the young lion either be trained to survive in the wilds of the Serengeti or be sent to a zoo.

Reenacting the suicide episode of the last Ming emperor, Chong-zhen from the classic Cantonese Opera Floral Princess, this experimental short film blending Cantonese Opera and modern dance elements reveals the journey of the defeated emperor accompanied by his faithful eunuch, Wang Sing-yan, on their way to the summit of Coal Hill to end their lives. Apart from inviting new perspectives towards their ambiguous queer overtones, it also explores the crossroads of life and death, authority and obedience, love and sacrifice, power and duty, that befall under the traditional patriarchy.

A woman uses an AI chatbot to try to find closure with someone she lost.

When the experienced guide Vic accompanies the city boy Alan and his three friends on their first wilderness experience, he not only hopes to teach the four boys lessons about the wilderness, but about themselves. Vic pushes them to the limit. Soon after alienating the boys, Vic finds himself in desperate need of help and must rely on his students in order to survive.

Shadow plays flicker, birds call, and colour leaks into grey walls. In Starlings, live action collides with puppetry and poetic visuals as a teen girl transforms loss into light, reviving the fractured bond with her father through the fragile power of art.

Set beneath a surreal green sky on a distant, crumbling world, the film captures the last survivors of a dying civilization—women who perform a synchronized ritual dance to summon an ethereal extraterrestrial presence from another realm.

The story of a group of friends who reunite for their annual 4th of July weekend only to be confronted by Chad, a strange and beautiful nature photographer who begins to change their lives one by one.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.