The Undead Water - Part III

The surreal, experimental story of an unseen serial killer.

Psycho (1960) by Alfred Hitchcock and Psycho (1998) by Gus Van Sant collide in a frame-by-frame editing that assaults the eyeballs and assassinates the normative consciousness of the viewer. The footage seems to penetrate us, as though it was a knife or a threatening phantasmagorical entity. The fast succession of single frames and extremely short audio files produce afterimages and aftersounds—entoptic and endaural phenomena—creating a film that does not happen on the screen, but in our brain cells

A woman’s sense of self is destroyed upon seeing her friend succumb in the zombie apocalypse.

In "Memory of a Mycelium," human prototypes sprout from the building like strands of a fungal network. Inspired by the Chinese mythology of the creator goddess Nüwa, the prototypes initiate a process of emancipation by freeing themselves from the long braids reminiscent of umbilical cords. A never-ending journey of self-liberation begins.

SOME MEMORIES CAN HAUNT YOU

HALCYON is an experimental look into the things that make people human. What is it that you fear? What do you look forward to? What burdens you? Questions everyone has, but not ones everyone has the courage to reveal to the public.

A found footage film about a strange and mysterious movie production.

An experimental animated short film.

An experimental film that combines elements of avant-garde, silent comedy, horror, science fiction and animation.

After a mysterious injury at the park, a skater named Shepard begins to experience auditory and visual hallucinations inside of his own home.

An experimental short film.

The first part of two experimental short films used to promote the featurette Dan Lehwer eller "Men frels oss fra det onde". The two parts consist solely of footage not included in the extended work.

The second part of two experimental short films used to promote the featurette Dan Lehwer eller "Men frels oss fra det onde". The two parts consist solely of footage not included in the extended work.

An unhappy young man becomes confused about reality, guilt, his own identity and love life after he gets to know his next-door neighbor, a seductive femme fatale.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

An animated short based on a scene from "The Long Walk" by Stephen King

A woman in her early twenties suffers from insomnia. One night out, she's assaulted, which leads to dire consequences for her.

A private detective goes into the woods to investigate a disappearance.

Based off the poem by H.P Lovecraft, it tells the tale of a dying man who slowly enters a strange dream world where he fades into oblivion.

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.