Tihar's End (तिहारको अन्त्य)

Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.

A person living in Liberty City goes to work, have some food & gets back home.

Landscapes, things, men, women and children taken by an "evil eye" more than a century ago haunt the present in this jagged reverie. A persona voicelessly narrates, via captions, going through colonial photographs, digresses to eating fruit and entering a cave on a tropical vacation island.

Documentary film based on the artist Akbar Padamsee.

This documentary is a touching and intimate portrait of André Brasilier, both as a man and as an artist. Presented as a testament to his art, the film focuses on two main aspects: André's connection to his youth and early inspirations, and the evolution of his art. The film pays special attention to his wife Chantal, who was André's muse and who appears in many of his paintings.

Experimental short film by Paul Clipson

Experimental Documentary on Sound & Cannabis

24 years ago, Nick's parents started a small vegetable farm in Sperryville, Virginia, and he spent his childhood among the farm's fields and flowers. This summer, Nick is back at the farm to visit for a month and a half. And he's trying to make a movie about it.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

A chance meeting of an art activist and a pompous Sunday painter at a public statue of Winston Churchill turns into a public event of insults in this political satire.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.

A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

This documentary follows mural artists of different cultures and styles as they live together for several weeks ahead of an exhibition in Barcelona.

A short study on liminality, reversing the common experience of such a space by forcing engagement and contemplation over its subtle details and hidden memories.

The artist J.M.W. Turner is widely recognised as England’s greatest painter. Tate has the world’s finest and most extensive collection of his work. Turner at Tate explores Turner’s art through many of his best-known canvases and exquisite sketches and watercolours, all newly and exceptionally filmed in HDTV from the original artworks. Incorporating the landscapes and places that inspired the works, the film provides an overview of Turner’s life and - in an accessible and engrossing way - of critical approaches to his art. The film’s focus is Turner and England, and his work is considered against the radical social and political changes of the early nineteenth century. Turner at Tate is a film about ideas and history and landscape, a film about colour and light. Contributors include Tate curators Ian Warrell and David Blayney Brown, and art historians Sam Smiles and Barry Venning. Also featured on the DVD are ten additional short films, each of which considers in detail a major work.

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

Introduces the world of painter René Magritte through an assemblage of the painter's images. Includes statements by Magritte about his intentions and anecdotes from his friends Mesens and Scutenaire.