A Burger I Never Ordered

Intan had to live with her husband's family, who was experiencing financial difficulties. Pressure and demands from Damar's family soured their relationship, to the point where Intan felt more like a servant than a wife. Damar was caught between his responsibilities to his extended family and his own marital happiness, until Intan finally forced him to choose his priorities.

Arga, unemployed for three years, is a constant source of family ridicule every Eid. Pressured by difficult economy, marriage, his younger sibling's college tuition, and plans to sell his grandmother's house, he struggles to find work to prove himself.

The youngest daughter in a crowded house, Kaluna struggles to balance her familial responsibilities while working and saving to buy her own home.

After the untimely death of his older sister and her husband, a struggling young architect suddenly becomes a "single parent" for his nieces and nephews. When the opportunity for a better life arises, he must choose between his love life, career, or his family.

At the end of college break Dika plans to go back to college, but his clothes are always wet.

Le burger, un super pouvoir américain

Two fathers, from different age groups, are on a quest to mend things with their children, while a son goes after his father to redeem himself.

　The latest work by writer Mayumi Nakatani and director Kyoichi Itagaki, who have steadily gained popularity for their sad and warm comedies Beautiful Sunday, Paper Marriage and This Time for Loving Wives in the Third Stage SHOWCASE series, will make its first appearance at the Parco Theatre this spring. 　Set in the everyday life of contemporary Japan, the play carefully and carefully depicts the strengths, weaknesses and hidden sides of the characters. The seemingly serious story, lightly wrapped in a great sense of comedy, will make you laugh, feel sad, and feel sorry for yourself as you are drawn into the world, and in the end, you will love all the characters. 　A very orthodox, yet unlikely comedy. Well-made, but never scheduled, this play is sure to satisfy you beyond your expectations. We are proud to present "Father's Love - Family Tale" in the hope that more and more people will experience the happiness of watching a play. Please look forward to it.

After studying graphic design, Aline is reluctantly starting her practical training as an art teacher. When her boyfriend leaves her on top of that, she runs off to live with her parents in the countryside. In this moment of crisis, she encounters a Catholic priest who is able to talk about faith outside of religion. Aline is intrigued, but remains critical.

Ulilang Anghel

Ina is a therapist, the mother of a rebellious teenage girl, and a partner to a man who has always put his own career first. She puts everyone’s needs ahead of her own until one hot summer day, when her self-centered mother celebrates her 70th birthday, something happens that will change everything.

Charlotte is satisfied. She is in the process of experiencing a promotion in the company where she works as a senior executive. Everything would be fine if Charlotte didn't have a sister, a mother of three who left without leaving an address a few years ago. Since then, it is Yvonne, the mother of the two young women, who took care of raising Pierre, Louise and Antoine. However, one fine day, Antoine's father appears...

Isabel Burger would normally consider herself lucky. An unexpected inheritance takes Isabel, a trained chef, to Crete, where her German father left her a country house complete with its own olive grove. If only her failed startup in Munich and the resulting financial woes hadn’t led to the recent opening of insolvency proceedings against her. Isabel’s insolvency administrator gives her four weeks to sell her house on Crete as best she can and use the proceeds to pay off her creditors.

Bewildering, amusing, insightful: Anke Engelke acts out eight authentic interviews, assembling them into a gigantic mosaic about motherhood.

The impact of lingering trauma on an ex-serviceman, triggered by sounds of everyday life.

Fourteen-year-old Jeanne has lived in a farm commune since she was two years old. Her mother and father live in city communes and rarely visit. This is one of the commandments given by Otto, who rules the commune: children are to grow up without parents. Knowing nothing else, Jeanne enjoys her outdoor life, surrounded by lots of other children, until she falls in love with 16-year-old Jean and her childhood paradise begins to fall apart.

A withdrawn war veteran seen as peculiar by the local villagers lives and brings up his child, the only thing that gives his life meaning.

A moral and satirical story created in a truly Mrozkovian style. The title character is a morbidly shy neighborhood caretaker. He leads a modest, peaceful life.... until his affliction entangles him in a chain of absurd political intrigues.

Lam Siu-ming cannot afford tuition and quitted school. His teacher Ms. Chui intercedes with the principal in vain. She quits. Chui became an orphanage director. She suffers from the orphans’ mischief, but she treats them with love and honesty instead of punishing them. She gets recognition from kids and colleagues. Siu-ming is expelled. He dares not go home and lives on pickpocketing with street boys. Chui learns that Siu-ming is missing and looks for him. Siu-ming feels ashamed and avoids her. Chui finds Siu-ming and takes him and the street boys to the orphanage, yet they cannot be disciplined and escape. Little Bully runs after them, but is beaten down on the railway. Siu-ming's legs are cut off by the train when he tries to save Little Bully. The escaped kids regret for this. Chui's cousin wants her to go abroad together, but at the farewell party, he is moved by the orphans, so he does not force the plan, and decides to stay behind to serve the kids.

Life isn't a Godard Film