Proyecto muerto v6 (6).mp4
Documentary about the history and present of Argentine horror cinema.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
Grata
Fugacidad
Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.
Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
Remembering his old memories, he will leave a photograph in every place where he was happy.
A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients, but nothing is what it seems. How far are we willing to go to survive?
A lo Mejor Algún Día
Paloma is a young adult who finds herself living in automatic mode, following every imposed social norm, already working in an office and living alone in a studio apartment. Her daily life passes fleetingly and with little taste, until one night, after a long day of work, she receives an email titled FOR MY FUTURE SELF, which prompts her to change her life.
SANTA FE ROCK
As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.
This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.
Ceremonia secreta
Tiempos circulares
A retrospective of a number of UFO cases in Argentina.
Pata Marsilla was at the former nightclub when the tragedy of Cromañón (2004) happened in Argentina. Although he was only seventeen years old, he remembers every step he took that night. His words come alive through a recreation of how a concert turns into horror.
Hoy Como Ayer