La Vuelta- Memorias de Villa Gesell.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Ceremonia secreta

In the 1920s Horacio Coppola studied modern languages, photography and film, set up the first cinema club in Buenos Aires, and travelled to Italy, France, Spain and Germany, where he trained with the Bauhaus photographer Walter Peterhans. After visiting Vienna, Budapest and Prague, still hotbeds of secessionist art, Coppola returned to Berlin and made the experimental film Traum (Dream, 1933) with the theatre director Walter Auerbach, a nice short influenced by the French & German surrealists.

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

The life and work of Guido Buffo, an artist and scientist whose passion for knowledge and art is intertwined with his love story with Leonor. Through a journey through key moments in his life, the short film explores his vision of the interconnection between art and science, as well as his profound love for his wife and daughter, who inspire him to build an enduring legacy: his chapel in the Córdoba mountains.

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients, but nothing is what it seems. How far are we willing to go to survive?

Tiempos circulares

As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.

Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.

Argentine short film · Directed by Jeremías Sosa From Juan Agustín Maza University · Running time: [4 minutes] Filmed in Mendoza, with independent university production. Starring Tomás Palomo. Pre-established script provided by the department.

A retrospective of a number of UFO cases in Argentina.

Pata Marsilla was at the former nightclub when the tragedy of Cromañón (2004) happened in Argentina. Although he was only seventeen years old, he remembers every step he took that night. His words come alive through a recreation of how a concert turns into horror.

In the city of Arrecifes, Bianca prepares to receive the first communion, but the day doesn't go as planned.

Rocío reminisces about her relationship with Daniela as they both face a new beginning on her last day of moving out.

Documentary about the history and present of Argentine horror cinema.

Remembering his old memories, he will leave a photograph in every place where he was happy.