Les survivants, l'impossible départ après la Shoah
Hannah Arendt's views on Jewish identity, the Israel-Palestine conflict, and authoritarian-totalitarian systems seem more relevant than ever. Together with biographer Thomas Meyer, this documentary takes us back to the time of her exile in Paris. It was there, on the banks of the Seine, that she laid the foundations for her later works, which would bring her international renown.
The gruesome story of the Jewish ghettos during the Nazi occupation of Eastern Europe in the dark days of World War II, based on the records written by their inhabitants, who bear witness to the human tragedy of the Shoah; but also to an indomitable will to live.
French documentary that explores how the third generation deals with the memory of the Holocaust. It follows grandchildren of survivors—Camille, Frankie, Théo, and Mathis—as they inherit family secrets and the responsibility of bearing witness to this trauma
This film, produced by the Museum’s Spielberg Film Archive staff, features 55 minutes of previously unseen interviews from the Claude Lanzmann Shoah Collection. SHOAH: The Unseen Interviews includes the testimony of Abraham Bomba, a barber in the Treblinka killing center, who escaped, was smuggled back into the ghetto, and tried to warn friends, who refused to believe what was happening; details of American responses to the Holocaust from Peter Bergson, who tried to rally American Jews and the US government to act sooner to save the Jews in Europe; and Ruth Elias’s harrowing tale of survival in Theresienstadt and Auschwitz-Birkenau.
Nothing predisposed a rural commune in the Loiret region such as Beaune-la-Rolande to embody the height of the Holocaust in France. Yet it was there that a camp was set up where Jewish families were interned, separated, their children abandoned to their fate before being deported alone to their deaths. Long hidden from view, more than eighty years after the events, this tragedy remains a sensitive subject that can still divide opinion on what should or should not be done to ensure it is not forgotten. Following personal journeys and collective commitments, this film meets activists, elected officials, and teachers who are committed to helping a region recover its memory and reconnect with its history, however painful it may be.
The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.
Surviving against all odds. In 1940, Benjamin Orenstein, just a teenager, was sent to his first concentration camp in Poland. It was the beginning of a journey that would mark him for life. After years of silence, he now bears witness to one of the darkest chapters in history.
In 1942, more than 8,000 Jews were arrested on 16 and 17 July and sent to the Vélodrome d'Hiver sports center in the 15th district, a stone's throw from the Eiffel Tower, before being deported. The expression "Vel d'Hiv round-up" has become part of our collective memory, to the point of becoming the main memorial reference point for France during the dark years. Based on research carried out in unpublished or rarely explored archives, this film retraces the history of this roundup as experienced by hunted Jews and police trackers, from its planning in the Vichy offices to its hour-by-hour unfolding in the streets of Paris.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
The expedition that shot this film was sponsored by the French Government and the Museum of Man, for the purpose of making a lasting record of the native tribes in French Equatorial Africa.
Na wyjeździe
After a surfer dies off Morro Bay, Calif., on Christmas Eve, shark attack investigators Ralph Collier and Brandon McMillan use forensic evidence and eyewitness accounts to identify the suspected killer: an 18-foot great white.
Film by Franca Donda about the Feminist icon Argelia Laya.
Film by Franca Donda, about Eumelia Hernández.
A silent amateur film with a runtime of 1 minute and 20 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film captures scenes of rowing and diving during the summer of 1925 in Lavagna. It forms part of a larger collection of 9.5mm films discovered in 2006 in the cellar of Villa Rocca by Lavello’s grandson, Enrico Vassallo, and donated to the archive in 2007. Restored in 2025 using a 2K wet scanning process to mitigate damage from fungal mould, the footage reflects the technical limitations of manual camera operation, including occasional acceleration due to uneven crank rotation. As noted by Michele Manzolini, the film contributes to a broader visual record of informal leisure and early amateur cinematography in interwar Italy.
When Bosnian-Serb forces began shelling Sarajevo in 1992, an officer of the Bosnian-Herzegovinian army made an appeal to all inhabitants of the city with video cameras to "start filming, because their material would definitely influence events." Whether prompted by this call or not, many of those who possessed a camera attempted to capture the atmosphere of the besieged city, resulting in this extraordinary film. At once engaging, horrifying and funny, these "home movies" provide a stark testimony of the courageous spirit of a people under siege, trying to live "normal" lives against all odds.
Film by Franca Donda and Josefina Jordán for the feminist collective Grupo Miércoles.
Reporter Tir Dhondy investigates the rise of sextortion scams targeting teenage boys on social media. Her journey leads to Nigeria, where she confronts the scammers taking part in these crimes.
Italians in Berlin are a special breed. Thousands come every year to stay - and six years ago, filmmaker Alessandro was one of them. An old saying professes that after 6 years in a foreign country, you finally realize what you really are: an immigrant. You feel disoriented and homesick. Alessandro's quest for other Italians in Berlin evolves into a hilarious real life comedy