The Boy

In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.

A violent and gritty retelling of the life of Grainne Uaile, the 16th century Pirate Queen from Ireland. She was a fighter, a pirate and a tough woman, carving her mark in a mans world. This exciting film is violent, dark, brutal, exciting and often darkly comic. The ultimate female action hero steeped in ancient Irish history.

And urban planner's journey to making the impossible possible.

América, do Sul

Üftade has long been the object of men’s fury. Her only hope is to marry the young man she is in love with and escape her traumatic life in the home of her abusive stepfather. However, when her lover suddenly leaves her, Üftade's despair increases exponentially, and she begins to lose her mental balance due to the traumas of her childhood. Throughout the years, her suffering is witnessed by her nephew, who feels helpless to do anything about her condition.

A beautiful woman, apparently a sophisticated Miss, is killed while skiing in Candanchú, an accurate shot in the head. But she is more than a beautiful model. It is a secret service agent of the terrorist organization IAAT His death triggers the alarm at the headquarters of the organization and the supreme leader, the bold and elegant Mr. Alfa , decides to take matters into. Three super-they are called to investigate the case, it is the courageous Mayor Sam Stevenson (Paul Naschy), the shrewd Marcello Antonelli (JL Vazquez), and the beautiful and reckless Alferez Allyson Love (Anne Karin).

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.

Mother and daughter having a conversation about society, women, men, and democracy in ancient Greece. Based on "The Republic" by Plato, this fun twist on the cave allegory demonstrates that women can hold philosophical conversations too. As long as the wine keeps pouring.

Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the "Dark Ones" from destroying all life in the universe.

'Inertia' tells the story of one woman's navigation through a nocturnal city on her way home after drinks with colleagues. The film also examines how accumulated abuses, both subtle and gross, can affect our present actions.

Dora is a German-raised teenager visiting her enigmatic Brazilian grandmother for the first time. While trying to return to Germany at all costs, she discovers the incredible history behind the women of her family.

Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

Jane Goodale has everything going for her. She's a producer on a popular daytime talk show, and is in a hot romance with the show's dashing executive producer Ray. But when the relationship goes terribly awry, Jane begins an extensive study of the male animal, including her womanizing roommate Eddie. Jane puts her studies and romantic misadventure to use as a pseudonymous sex columnist -- and becomes a sensation.

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.

Tom is a perfect macho, whose prejudices are challenged when he loses his job, his apartment and his girlfriend and has to move in into a house with three feminists. Without his knowing the three start an experiment to convert him into a sensitive person showing respect for women and her problems. Not able to pay his rent Tom is forced to earn it by doing the housework and babysitting. This helps him changing his attitudes towards women and his housemates who at first treated him indifferently, start to fall in love with him.

The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.

A would-be publican decides to set up shop on a remote island with a flat-pack DIY pub, but encounters more competition than he bargained for.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

Peggy Mount and David Kossoff star as Ada and Alf Larkin in this big screen version of the hugely popular 1950s TV comedy. Alf Larkin has finally made good his dream to own a pub. The trouble is, it's got no customers. But leave it to the Larkins to find unorthodox ways to bring in the punters.