I Love/Hate The Aide

The daily life of an ill man is constantly interrupted by television advertisements. They promise some change to his life. He finds himself as a part of the adverts, but soon the empty promises become demonically possessive. The truth sets in.

Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…

One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg

A film about a young woman's future plans in Munich, Germany. MUNCHEN, RAPHAELA (also known as RAPHAELA RING MUNCHEN) is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Kevin Jerome Everson).

After being rejected from the job interview at the town's tour agency, Tomás, supported by his sister, embarks on a new path by creating his own agency. After a few discouraging weeks, he receives a call from a young couple who want to see the town.

Judith is a member of the mariachi band "La Estampa de Calimaya" and the only woman in the group. She's also mother of two kids and lives in Toluca.

A portrait of Norwegian poet Odd Børretzen in his own words, featuring musical highlights from Børretzen's work with musicians Alf Cranner and Lars Martin Myhre.

Hunger always strikes in the dead of night.

There is peace in the forest and among all of the animals there, including a pair of ducks who befriend Molly Moo-Cow. A pair of hunters come on the scene, go hunting and hurt the ducks, so it's Molly to the rescue.

Eccentric, outspoken, and unfiltered TV and low budget film director Josh Becker struggles to emerge from the shadow of his work on "The Evil Dead", "Xena", the careers of his more successful colleagues, depression and alcoholism to fulfill his lifelong ambition of creating high quality, successful films.

Ever since she was a little girl, growing up in the fourth world country of Crapistan, Natasha has devoured all things American. Finally, through the wonders of the Internet, she finds her way to a Bel Air mansion and into the loving arms of a socially inept Internet mogul. With her own "How to Be an American" scrapbook as a guide, every week, Natasha, the upbeat optimist, takes on a new, impossible challenge with wide-eyed enthusiasm.

A journey through a nature reserve in the GDR: the island of Hiddensee—with a special focus on the landscape, flora, and fauna.

A down on his luck thirty-something develops a feud with his local bin collector.

Find Fix Finish delves into the stories of three US-Drone pilots revealing the clandestine operational strategies practiced by the US Government.

This cartoon is based on a humorous Ukrainian folk song about how wives decided to sell their disgraced husbands. One wife wants to get rid of the reveler, the other - from the drunkard, the young woman is tired of the old man, the worker is lazy, and the tall - the husband is too small in stature.

An elderly hoarder seeks to overcome time and memory to find closure and redemption in the twilight of his life.

Experimental short film by Barbara Sykes

In the second largest school district in the United States, 98% of teachers vote to authorize a strike. Watch as one of the largest educator strikes in modern U.S. history unfolds in real-time, highlighting the stories and leadership of some of the women who led it, from union leaders to classroom teachers. From strike vote to contract vote, When We Fight goes behind the picket lines, documenting how and why teachers strike. "This powerful and beautifully crafted film is a must watch for anyone interested in the state of labor in America today." - Robert Reich, former Secretary of Labor and Professor of Public Policy, UC Berkeley

In an essay and archival intervention, questions arise about the images of the 1968 national strike council.

The art of votive offerings is fading, and with it, its creators, the retableros. We will witness the work of some of these last artisans, masters of a craft deeply rooted in tradition, religious and social identity in Mexico; they will tell us about their lives, their work, and their future.