Tiempo de victoria

A documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.

Cuerpos juzgados

Fleeing the 1980 Civil War in El Salvador, Dora Rodriguez, among a group of twenty-five asylum seekers, were abandoned by their guide and left to fend for themselves in the relentless Sonoran desert of Arizona.

The battle of El Salvador and its revolutionary history, from the time of the Spanish conquest and colonization, to the insurgency of the 80s, approached by a Puerto Rican filmmaker immersed in the conflict. Depicts a host of F.M.L.N. guerrillas marching forth from Monte Alzaco, the spiritual home of Salvadoran resistance.

In the early 1980s, at the beginning of what would become a 12-year-long civil war, El Salvador's talented football team was one national institution upon which both the left and the right could agree. When the team pulled off a stunning 1-0 upset against Mexico and qualified to compete in the 1982 World Cup, it was a high point for the tiny country's national pride. Unfortunately, the team's Cinderella story devolved into a nightmarish farce.

Join affable presenter Nigel Marven as he explores El Salvador, the volatile land of volcanoes with a colorful culture and natural history. Follow along as he climbs an active volcano near the capital San Salvador, comes face-to-face with a crocodile, cuddles a caecilian, fights fire with fire, dives deep into a volcanic lake, and discovers the Pompeii of Central America.

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

El Salvador: Bukele's Supermax Prison

A meditation on the intersection of Afro-Caribbean and Indigenous American existence.

This documentary juxtaposes scenes of El Salvador's opposition factions, including U.S. government advisors and government troops, and guerrillas and their sympathizers.

In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.

January 22, 1932. An unprecedented peasant uprising erupts in western El Salvador, as a group of Latino and indigenous peasants cut army supply lines, attack a military garrison, and take control over several towns. Retribution is swift. After three days, the army and militias move in and, in some villages, slaughter all males over age 12. Elsewhere, they summarily execute anyone suspected of having a link to the Communists. Over the next few weeks, 10,000 people are massacred.

An experimental short film about a day in the life of a barefoot boy who sells newspapers in San Salvador.

This Traveltalk series short starts in San Salvador, El Salvador's capital, emphasizing the Spanish architectural heritage. We then go to the Izalco Volcano, which was created in 1770 by an eruption of the Santa Ana Volcano. The focus then shifts to the country's agriculture. The two main products are coffee and henequen, a plant with tough, fibrous leaves used to make rope, baskets, and other products.

A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.

Return to El Salvador explores the reconstruction of El Salvador, post-civil war. The film revisits the struggles of the nation and examines what drives over 700 Salvadorans to flee their homeland each day, often risking their lives to illegally enter countries in search of a better life for their families. The film also profiles a number of Salvadorans effected by the civil war. One couple, who fled death threats in the 1980s, finds asylum and a political platform in the United States. The film also follows a different couple who, after escaping the war, returned to El Salvador to work with churches and poor communities.

This documentary examines the formation of labor unions in El Salvador and the systematic violations of workers’ rights that characterized the country during the 1980s. Through testimonies and on-the-ground footage, it exposes the climate of employer authoritarianism and repression faced by workers, situating these conflicts within a broader history of social unrest that dates back to the 1930s and re-emerged with intensity in the 1980s. The film also depicts how the guerrilla movement carried out campaigns of political and labor awareness among peasants and workers, encouraging collective organization and the defense of labor rights. Ultimately, the documentary reveals the “two faces” of El Salvador: on one side, state power embodied by the army and the police; on the other, the opposition represented by guerrilla forces and grassroots popular organizations.

Produced by the Radio Venceremos System, chronicles the first decade of the guerrilla broadcaster that became a crucial communication tool for the FMLN during El Salvador’s civil war. Through archival footage, radio transmissions, testimonies, and scenes of daily life in liberated zones, the film traces the station’s military, political, and cultural role, from reporting on combat operations and peasant struggles to fostering literacy, music, and international solidarity. The documentary portrays Radio Venceremos not only as a strategic instrument of war, but as a symbol of resistance, collective organization, and revolutionary memory.