Lun-yü-Gespräche

Journey into Amazing Caves is an extraordinary IMAX adventure into the depths of the earth to uncover the secrets to life underground.

Join the Mars rovers Spirit and Opportunity for an awe-inspiring journey to the surface of the mysterious red planet.

Some 220 miles above Earth lies the International Space Station, a one-of-a-kind outer space laboratory that 16 nations came together to build. Get a behind-the-scenes look at the making of this extraordinary structure in this spectacular IMAX film. Viewers will blast off from Florida's Kennedy Space Center and the Baikonur Cosmodrome in Russia for this incredible journey -- IMAX's first-ever space film. Tom Cruise narrates.

A historic underground gay document. Shocking. Intimate. Taboo. A behind-the-scenes look at the performance art of a millennial artist who travels the world performing in public spaces using the medium of piss, video and the internet to break social norms.

Hana Zelinová

Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.

A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).

From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.

Saying No is an early 1980s educational film produced by Crommie & Crommie that, true to the title, presents a process for young women to successfully decline advances from the opposite sex.

Dimitra Koutsiabassakos is 88 years old and lives alone in the village of Armatoliko in the Pindos mountain range, on the banks of the ancient river Acheloos, named after the mythical river god who fought Heracles for the favors of a woman and who could take on many forms. Dimitra’s home is located near the place where a great dam is being built and lies right in the middle of the area destined to become a lake after construction is completed. By a strange quirk of fate, the materials used in the construction of the dam are a product of a cement company named “Heracles”, so that it seems that the age-old contest between Acheloos and Heracles continues to the present day! Dimitris, Costas and Petros decide to pay their grandmother a visit and make a documentary.

.TV is a found footage essay film: Voicemails left by an anonymous caller from the future guide us to the remote islands of Tuvalu, a place the global media has described as “the first country to disappear due to rising sea levels”. Surrounded by thousands of miles of open water, much of Tuvalu’s revenue comes from its country-code web extension .TV, a popular domain choice among global video-streaming and television industries. The caller describes how heat, digital screens, and distance gave him no choice but to leave his sinking home and escape into cyberspace where rising waters will never reach him.

Ana and Claudia get trapped in a bathroom during the military occupation of the university. Claudia is caught by a soldier, leaving Ana alone for days in the bathroom, trying to survive and find hope. Based on the experiences of Alcira Soust during the military occupation of Ciudad Universitaria during the movements of 1968.

Can exercise sharpen the brightest minds? In this ground-breaking experiment, four world-class gamers, competing in eSports, Chess, Mahjong and Memory Games, put this to the test.

Lost Worlds looks at untouched aspects of nature in parts of the world where humans rarely tread. From plants, to animals, to geology, this artfully photographed documentary presents facets of the biological world that you are not likely to see anywhere else.

A documentary about traditional Ukrainian arts and crafts and folk applied art, shot by Sergei Parajanov on commission from the Kyiv Television Studio. Ukrainian masters of pottery, carving, embroidery, painting, and other arts and crafts demonstrate their work in documentary and specially filmed scenes.

One of the greatest Hamlets of the 20th century Sir John Gielgud reflects on the play and its title character with which he used to be intimately associated for ever since 1929.

Arne Sucksdorff’s first film for Svensk Filmindustri, this lyrical short follows a fox cub through his playful explorations and predatory instincts in the Swedish forest. Blending moments of enchantment with unsentimental depictions of cruelty, the film captures the cycle of survival among animals with striking rhythmic editing and sensuous close-ups of fur, eyes, and forest textures. Rich in light and detail, Summer’s Tale became an enormously popular nature film and established Sucksdorff’s reputation for poetic documentary.

Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Raw footage received from photographer Harry Dunham revealed never before seen images of Mao Tse-Tung and the Eighth Route Army, inspiring Frontier to collectively shape a new film from desperate images, and to refine its dialectic editing.