Between Sky and Bus Stop

A critique of marketing speak in the commercial cartoon industry.

after mourning the passing of his late wife, Bill finds the courage to travel to New York City and reconnect with his favorite mistress.

An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.

Brewster is an owlish, intellectual boy who lives in a fallout shelter of the Houston Astrodome. He has a dream: to take flight within the confines of the stadium. Brewster tells those he trusts of his dream, but displays a unique way of treating others who do not fit within his plans.

A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the mystical globe encasing the lovers whose course it has paralleled throughout the film.

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

Jack Peterson, a widowed father of three young children, encounters Ginny Newsom, a wildlife biologist, whose mission is tracking trumpeter swans, a family of which settle in a pond on the Peterson farm. Could that be romance in the air?

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Touching, growing, caring, dancing. Seedlings climbing around fingertips, birds morphing into humans. But the tender touches slowly fade as the shadows grow and the witches of the forest start to disappear. Rooted in patriarchal violence, history keeps repeating itself.

This short, animated piece of agitprop fiercely expresses the hopes of the Chilean people.

A bounty hunter pursues a former Mafia accountant who is also being chased by a rival bounty hunter, the F.B.I., and his old mob boss after jumping bail.

A small curious bird tries to impress a new friend.

George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)

Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.

When a party bus on it's way to the Burning Man music festival breaks down in the desert and in the middle of a group of Satanic devil worshippers, all hell literally breaks loose. A massacre leaves seven survivors trapped in the bus, fighting for their lives while wondering if someone or others are not who they seem.

In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.

Roscoe's wife, tired of his endless drunkenness, reads of an operation that cures alcoholism and has him admitted to No Hope Sanitarium to get the surgery. Roscoe, wanting out, eventually disguises himself as a nurse to effect his escape.

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.