Tick

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.

The Indian's Gift

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

A collection of early Australian films about bushrangers, compiled by Australia's National Film and Sound Archive. Films are: [unknown] (1906), The Story of the Kelly Gang (1906), The Story of the Kelly Gang (1910), Thunderbolt (1910), Trooper Campbell (1914), The Kelly Gang (1920), Robbery Under Arms (1920), When The Kellys Were Out (1923), and Trooper O'Brien (1928).

Freckles, an orphan with disabilities, gets a job at McLean's lumber camp as a guard in Limberlost forest. Although the forest is infested with desperate characters, Freckles shows courage and determination. A beautiful girl whom he calls the "Swamp Angel" and the "Bird Woman" assist him in driving off timber thief Wessner and his gang. Later, Freckles refuses a bribe Wessner offers if he will permit Wessner to steal some trees. Instead, Freckles gives Wessner a beating, and his loyalty to McLean earns him a cash reward. Freckles falls in love with the Swamp Angel, but the social differences between him and the girl prevent him from declaring himself. He makes no attempt to recover when a large tree falls and seriously injures him. His recuperation is hastened, however, when the girl expresses her love for him.

Prince Sami comes from Nigeria and is an uncivilized "nature boy." He is sent to the highly civilized court of Duchess Maria of Arragon, where he initially causes chaos. In the end, however, he becomes the duchess's husband.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

At the urging of his sweetheart, Rosemary Smith, a man (William Fairbanks) leaves his soft job in the east and goes west to settle a dispute over oil lands owned by Rosemary's father. This man evicts the wrong party and later must return west in order to set things right, protecting the honor of a girl from the advances of the crooked foreman.

Lafayette Jordan (Davis), financier, plans to inundate Caribou Canyon and turn it into a reservoir, but the villagers will not sell him their land. Among the resentful villagers is Judson Forrest (Harlan), who wants to be an inventor. Mary Jordan (Bellamy), daughter of the financier, is hurt and spends a night at his home. Learning of his attitude toward her father, she poses as a domestic at the Jordan home. Later, in New York, Judson looks her up. He is trying to sell his invention and, to get funds, he mortgages his home. The village banker, in league with Jordan, sells the financier the mortgage, and a foreclosure threatens when Jordan's business agent Henry Mogridge (Miljan) double-crosses Judson. The youth thinks Mary working against him. Friends come to Judson's aid and he pays off the mortgage in the nick of time. He learns that Jordan knew nothing of the methods employed by his agent and that Mary loves him.

Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.

Thinking it is a worthless trinket, Dorothy trades her husband’s prized Aztec idol to a street peddler in exchange for a beautiful silk shawl. She soon discovers the idol is actually an extremely valuable artifact. Desperate to retrieve it before her husband notices, she learns that it has already been purchased by their neighbor, an artist named Cambridge. Dorothy enters Cambridge’s apartment to recover the idol secretly. Her efforts lead to a series of comedic misunderstandings and frantic situations as she tries to protect her marriage and her husband's property.

A resourceful landlady rents the same room to two men: the commercial clerk Zimt, who is at work during the day, and the conductor of a café orchestra Zucker, who has to work all night. After all kinds of turbulence, the trick comes to light and the two bitter enemies Zucker and Zimt eventually become good friends.

The two best buddies Ernst and Albert are pursuing the same girl. The girl leads them onto the ice in the form of an ice rink, where the two act awkwardly as non-skaters. But even on the ice rink, neither of them wants to give in, and the fight for the girl becomes increasingly intense. Suddenly, the girl's enraged groom appears and puts an abrupt and powerful end to the duel. This decision, imposed by a third party, leads to the two fighting cocks Ernst and Albert reconciling. Lost.

Dr. Schneider paces restlessly around his practice - hardly any patients come in. He is delighted when the letter carrier finally rings, but he is in perfect health. Then his cook appears with a tiny cut. Instead of a plaster, Schneider applies an oversized bandage and prescribes strict bed rest. Dissatisfied, he goes hunting for sick people on the street and even treats a passer-by until he flees, exasperated. In the end, only his cook is fit and lively at the stove again. A lost film.

After his first wife dies, the driver of a cart marries his ambitious and shrewish maid who brings him nothing but trouble.

From Wikipedia, the free encyclopedia. A Girl of the Limberlost is a 1924 American silent film, produced by Gene Stratton-Porter and directed by James Leo Meehan. It stars Gloria Grey, Emily Fitzroy, and Arthur Currier, and was released on April 28, 1924. The first adaptation of Stratton-Porter's famous novel, this silent film is considered lost.

On the occasion of her birthday, a young woman sends out invitations to her many admirers: she wants to marry the one of them who gives her the best present. While the numerous suitors appear, Ernst Lubitsch's character is almost too late: having lost a button on his shirt, he has to roller-skate to his beloved in order to arrive on time. The effort is worth it, as he gives her the best present of all: a quarter of a pound of butter. Lost.