COINTELPRO 101 exposes illegal surveillance, disruption, and outright murder committed by the US government in the 1950s, 60s, and 70s. “COINTELPRO” refers to the official FBI COunter INTELigence PROgram carried out to surveil, imprison, and eliminate leaders of social justice movements and to disrupt, divide, and destroy the movements as well. Many of the government's crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, with rare historical footage, the film provides an educational introduction to a period of intense repression and draws relevant lessons for the present and future.
A secret museum in an art hotel sparks intrigue when it's revealed to be a creation of controversial artist, Banksy. Using art as a form of political resistance, the hotel highlights the reality of life under Israeli military occupation. The film journeys through the hotel, Palestine, and a relevant past to dismantle the mainstream media's bias towards the Palestinian struggle for freedom and equality.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
Libere
Seven militant women (fedaiyat) of the revolutionary generation tell the story of the Palestinian resistance through accounts of their own lives. Cut from 35 hours of interviews with leaders of the armed struggle, the film presents an image of confident, unapologetic and proud feminine identity. Together, the memories of these women narrate the dream of a generation, yet unrealized.
Quando i tedeschi non sapevano nuotare
At the core of these memories is Kcey, a spirited young woman of Puerto Rican and African American heritage. Her infectious spirit and uniquely endearing laugh became her signature, filling every room with infectious energy and joy. As a child, Kcey's spirited antics foreshadowed her future strength; she later emerged as a formidable member of the Air Force. Recollections from her mother, father, sister, childhood friend, and a battle buddy capture the essence of Kcey, from her infectious laughter to her cherished moments under the Afghan sunsets. Each memory serves as a testament to a life lived passionately. However, heartbreak strikes when, amid war, a plane crashes, claiming Kcey's life. As they grapple with this devastating loss, her loved ones oscillate between despair and denial, occasionally seeking refuge in work or the numbing embrace of alcohol. Yet, as they collectively mourn, they discover solace in their shared memories of Kcey's radiant spirit.
Tibet: The Survival of the Spirit
The film tells the stories of five people with special abilities who treat and heal their patients in an unconventional way. These charismatic healers from Germany, Austria and Switzerland are the subjects of this documentary which sets out to show how their old-school, arcane methods can serve as an addition to conventional, academic medicine.
In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.
From ramshackled Nuxalk Radio in Bella Coola, voices trace the disappearance of the ooligan run revealing a buried history deeper than the river itself.
Herculane Baths, one of the oldest resorts in Europe, the place where, a few centuries ago, kings and queens were diving in the healing waters, became a maze where people get lost while looking for something better. Relu, Mitica and Gelu, three masseurs, are tour guides through the maze of an Eastern Europe garden of Eden.
POLICE STATE 4 chronicles the sickening depths to which our republic has fallen. Veteran documentary filmmaker Alex Jones conclusively proves the existence of a secret network of FEMA camps, now being expanded nationwide. The military industrial complex is transforming our once free nation into a giant prison camp. A cashless society control grid, constructed in the name of fighting terrorism, was actually built to enslave the American people. Body scanners, sound cannons, citizen spies, staged terror and cameras on every street corner -- it's only the beginning of the New World Order's hellish plan. This film exposes how the "Continuity of Government" program has established an all powerful shadow state. Prepare to enter the secretive world of emergency dictatorship, FEMA camps, and a shredded Constitution.
A documentary film that takes us on a scientific and spiritual journey where we discover that by changing one's perceptions, the human body can heal itself from any disease.
This documentary takes an in-depth look at the witch hunts that swept Europe just a few hundred years ago. False accusations and trials led to massive torture and burnings at the stake and ultimately to the destruction of an organic way of life. The film questions whether the widespread violence against women and the neglect of our environment today can be traced back to those times.
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.