TRASHUMANCIA. HUELLA DE LO COMÚN

On April 10, 2014, the environmental activist and president of the Junín community, Javier Ramírez, was arrested and sentenced to ten months in prison for the crimes of “rebellion, sabotage and terrorism”. A few days later, the National Mining Company entered the area accompanied by a squad of at least 200 policemen to carry out studies related to the Llurimagua mining project, in the Íntag cloud forest. Javier with I, Íntag collects Javier Ramírez's reflections after his release, his feeling of condemned innocence, the pain of living in a divided, busy and frightened community, with its social fabric destroyed.

Through exploring the body as a landscape, 'The Copper Kings' plays with visual metaphors that connect the patriarchal philosophy and process of extraction to the dissection of our own bodies.

The social contract: the rules we follow - and some don’t. Breaking Social uncovers the pattern of corruption and kleptocracy erasing the social tissue, followed by social uprisings. In Chile a new turn is taken, with young women in the lead.

Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.

Tekuanes - Guardianes del Agua

Fronteras vivas

In the Folds of the Great Snake

Power in the Desert traces the ripple effects of the lithium boom across three distinct regions- Argentina’s Andean highlands, Chile’s Atacama Desert, and California’s Imperial Valley- where local communities find themselves on the frontlines of the clean energy future.

The entire project examines three interconnected extractivist processes in that area of southeastern Spain: mining in La Unión, construction in La Manga, and agroindustry in the Mar Menor. This short film was scripted as a spiral, revisiting the same three locations in three rounds. It overlaps archival materials with new recordings, aiming to approach the territory as a stratified archival ground – a form of storytelling conveyed by the land and water themselves. The archival materials are treated as compacted strata, whose grain and texture offer the possibility of excavating the trauma inscribed in the territory.

Cerro del águila

An invitation to embark on a fascinating journey into the Earth to reveal the vital importance of underground waters and springs. Through evocative images and testimonies, the film highlights how these hidden systems sustain ecosystems, communities, and cultures. By exploring the invisible flows beneath our feet, it calls on us to reflect on our relationship with water, our most essential resource. A poetic and urgent reminder that what is buried can also hold the key to life above ground.

During a water crisis, two neighbors who hate each other go to war when the man builds a water reservoir and the woman begins stealing from it. What starts as a hostile dispute takes an unexpected turn as secrets and vulnerabilities come to light, forcing them both to rethink their differences.

Blue Days

Raíces de Agua

An old gardener goes out to dig up dirt on a Holy Thursday morning. During his excavation, he discovers the remains of his son who disappeared three weeks ago, taking them home with him. Meanwhile, the murderer, the young owner of a hotel with a swimming pool, serves his clients without any apparent concern. In a town without water and that lives off tourism, this is an open secret that the citizens and the authorities are willing to keep quiet. During the following days of Holy Week, the gardener and the hotel owner will be pushed by guilt and revenge until they come face to face.

Experimental dramadoc about high-functioning alcoholics and problem drinking in the workplace. Based on the testimony of real people, with actors playing out their stories and the whole film mimicking the texture of a witty and gritty observational documentary.

The “Journal Annales” consists of almost 2.000 hours of video footage collected by filmmaker Lionel Soukaz since 1991. For “Carottage”, the idea was to take a random sample from this vast volume, like a geological core sample. The result is a condensed history of political struggles and radical cultural experimentation spanning two decades.

Following Professor Lee White, the Environment Minister of Gabon, and President Ali Bongo as they act to save one of Earth's most vital natural habitats in the face of cartels and corruption.

Six runners face the Superior 100, a 30-hour, 100-mile trail race. How do they prepare and how will it change them?

Documentary commemorating the 40th anniversary of the 'Carry On' comedy film series. Archive clips and out-takes are mixed with interviews with the cast.