Blue Journey 1st Live "Yoake no Uta"
Features LiSA's performances at the concert "LiVE is Smile Always ~ASiA Tour 2018~" and a documentary on the tour.
Concert film took place at Zepp Tokyo on July 29th, 2005.
Set in a post-apocalyptic world, a group of six musicians discover that music can help cure those infected by the zombie virus.
ITZY's first world tour performance in Japan. ITZY's first world tour that started in August 2022. Over the course of approximately 8 months, the group toured 8 cities in the United States, starting with a performance in Seoul, South Korea, and 7 countries and regions in Asia, including Japan. This work includes the long-awaited first solo performance in Japan held at the Makuhari Event Hall. Contains footage from "ITZY THE 1ST WORLD TOUR in JAPAN", the first world tour performance in Japan held at Makuhari Event Hall on February 23, 2023.
I、D、Z LEGEND "I" was a concert held by BABYMETAL on October 6, 2012, at Shibuya O-EAST in Tokyo, Japan. During the main set, BABYMETAL performed with BABYBONES, who mimed playing instruments. In the encore, they introduced the KAMI BAND, dressed in white robes and corpse paint. This was their first time playing with a live metal band. The concert ended with the announcement of their new single Ijime, Dame, Zettai, set for release on January 9, 2013.
I、D、Z ~LEGEND "D" SU-METAL Birthday Festival (I、D、Z ~LEGEND "D" SU-METAL 聖誕祭; I、D、Z LEGEND "D" SU-METAL Seitansai) was a concert held on December 20, 2012, at Akasaka BLITZ in Tokyo, Japan. This show celebrated SU-METAL's 15th birthday.
I、D、Z ~LEGEND "Z" was a concert held on February 1, 2013, at Zepp Tokyo in Tokyo, Japan. The show concluded with the announcement of their next concert, LEGEND "1999", confirming the continuance of their group activities. SU-METAL had recently graduated from Sakura Gakuin, and there was much anticipation regarding her future endeavors with BABYMETAL.
Concert film featuring Stereopony's 1st tour A hydrangea blooms on August 22, 2009 at Akasaka Blitz.
The Japanese pop music duo Pink Lady are circus performers who show kindness toward a captured "monster," a sad, furry being (played by a man in a bulky, over-sized pink acrylic costume) who suffers acts of unusual cruelty by the keeper and ringmaster before the girls escape with the creature in a circus trailer.
BABYMETAL's "Live at Tokyo Dome: Red Night" concert was a monumental event in the band's career, showcasing their impressive rise in the music world. Held at the iconic Tokyo Dome, this performance drew a massive audience, highlighting the group's immense popularity in Japan and internationally. The "Red Night" theme was reflected in the stage design and lighting, creating a dramatic and visually captivating setting. Su-metal, Moametal, and their backing band, the Kami Band, performed a dynamic setlist that included hits like "Karate" and "Road of Resistance," delivering a powerful blend of vocal prowess, intense metal riffs, and synchronized dance moves. This concert not only demonstrated BABYMETAL's unique genre fusion but also cemented their status as a major live act in the global music scene.
The "Live at Tokyo Dome: Black Night" concert was a monumental finale to BABYMETAL's World Tour 2016, held at one of Japan's most iconic venues. This performance, part of a two-night event, showcased BABYMETAL at the peak of their theatrical and musical prowess. Su-metal, Moametal, and Yuimetal performed a diverse setlist that spanned their entire repertoire, including epic renditions of songs like "Karate" and "THE ONE." The massive stage production, complete with elaborate lighting, pyrotechnics, and moving platforms, created a visually stunning spectacle that matched the intensity of their music. The Black Night concert was not only a display of BABYMETAL's dynamic ability to fuse metal and pop but also a celebration of their global success and cultural impact, drawing thousands of fans from around the world.
LEGEND "1999" YUIMETAL & MOAMETAL Birthday Festival (LEGEND "1999" YUIMETAL & MOAMETAL 聖誕祭; LEGEND "1999" YUIMETAL & MOAMETAL Seitansai) was a concert held on June 30, 2013 at NHK Hall in Tokyo, Japan. This show celebrated the 14th birthdays of YUIMETAL and MOAMETAL. The concert started with BABYBONES, followed by the appearance of the KAMI BAND beginning with NO RAIN, NO RAINBOW. At the concert's end, it was announced that the LEGEND "1997" SU-METAL Birthday Festival would be held on December 21st.
LEGEND "1997" SU-METAL Birthday Festival (LEGEND "1997" SU-METAL 聖誕祭; LEGEND "1997" SU-METAL Seitansai) was a concert held on December 21, 2013 at Makuhari Messe in Chiba, Japan. This show celebrated SU-METAL's 16th birthday and marked BABYMETAL's first solo arena live performance.
Documentary following Japanese girl group Perfume on their 2014 world tour. Featuring live performances and behind-the-scenes footage, the film also includes in-depth interviews with members of the band as they perform in front of sell-out crowds across the world.
Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.
BoA's THE LIVE 2018 tour ~Unchained~, which was her first national tour in three and a half years.
Two girls with the same name but very different personalities share an apartment in this sequel to Nana. The rising fame of Nana Osaki's band, the Black Stones, is beginning to take a toll on the best friends' relationship. Meanwhile, Nana Komatsu struggles to make sense of her love triangle with Black Stones' guitarist Nobu and rival group Trapnest's bassist Takumi.
The last concert held by Japanese boy band Arashi on December 31, 2020 at Tokyo Dome, one day before the start of their indefinite hiatus. Includes live performances of songs from their final studio album of the same name.
This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.