A wide-ranging, revealing, and often intimate portrait of WNBA player Candace Parker, one of the most transcendent women's sports stars in history.
Gaza-London
Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.
Documentário Brasil Tupinambá
Dove danzano i pensieri
Tout le temps, tout le temps, tout le temps...?
Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.
In 1983, the director’s 24-year-old sister developed symptoms of schizophrenia. Her parents couldn’t accept it—refusing to seek treatment for their sick child, they confined her to their house, to the point of even fixing a padlock on the front door to lock her in. Her younger brother, suspicious of his parents’ actions, began filming the family in an effort to openly question them. A family conflict that lasted over twenty years.
A short film depicting the universality of life, growth, and how beautiful life is to simply exist. The film shows how beautiful it can be when we show tenderness & love for one another, through the narration & home movies of four sisters & their mother from when they were born up to the present. The film was made over 18 years on The Australian Coast.
Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.
The most far spot of Iran desert. 'Habib o-llah Qolami', a poor and old farmer looses his young son in a car accident. Habib after his son's death takes a big decision. He spends all his has for making a medical help station in the road and gifts it to Red Crescent. From now no one dies of car accident.
Filmed in the heart of the Gaza Strip in the spring of 2025 and produced by WeWorld as part of a project funded by the European Union, in collaboration with Save the Children, the film tells everyday stories of resistance and humanity: a barber who continues to welcome his clients amid the rubble, restoring dignity and beauty; Wafa, a woman who dedicates her life to children with disabilities or those who have been orphaned, offering care, education, play, and a sense of normalcy. An intimate narrative that illuminates the strength of the community even in one of the world's most fragile and war-torn contexts, like Gaza, where the population has been under constant attack for two years and under blockade for over 18 years.
This often confronting documentary observes a Māori restorative justice model through the eyes of straight-talking Mike Hinton, manager of Restorative Justice at Manukau Urban Māori Authority. The bringing together of victims (including wider whānau) and offenders may offer an alternate way forward for "a criminal justice system failing too many and costing too much”. Restoring Hope kicked off Māori Television’s 2013 season of Sunday night documentaries. In a Herald On Sunday preview, Sarah Lang argued it was “enough to restore hope in local documentary-making.” I’m in an arena where people have high emotions, they get stressed and pressured. I’m reasonably confident that I can avoid situations where I’ll be unsafe. I don’t have any death wish — I’ve got a game of golf tomorrow. – Mike Hinton, on the dangers of the job
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Agora Eu Sou Negro
On the outskirts of Den Helder lies De Nollen, an inland dune area where nature, sculpture, and painting merge into a truly immersive experience. It is the life's work of artist Rudi van de Wint. He died unexpectedly in 2006. His sons, Ruud and Gijs, carried on his dream, out of love for their father and for De Nollen. But plans for a Rudi van de Wint museum in the area led to cracks in their idyllic existence.
... enquanto houver vida, estarei aqui
One filmmaker's exploration of natural light in California and its influence on people's lives.
Noi e la grande ambizione
Civil Rights Movement activist, TSSAA Hall of Fame Basketball Coach, swim coach, teacher, musical director, father, grandfather, and friend to many, Coach Sylvester Ford Sr. was known by many as “Big Time.” The nickname was given to him as a kid for his height, but “Big Time” showed time and time again why his nickname was about way more than his looks– it’s also because of how he showed up big for his community. Hometown Feature Audience Award winner at Indie Memphis 2024, Big Time chronicles the life of legendary Memphis basketball coach, Sylvester Ford Sr., while inspiring us all to live “big time” lives along the way.