Quiero que Quieras Venir a Verme

“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of an individual troubled by the hate in the world and his partner who is fighting to lift him up, to remind him he is beautiful exactly how he is. My message is that religion should inspire more kindness and open arms, even towards those you may not understand.

David Bowie Live At The Spot-Live From The 10th Spot,Capital Theatre,Port Chester,New York,USA,1997-10-14-pro-shot (47 minutes), songs are: 1. Quicksand, 2. Jean Genie, 3. I’m Afraid of Americans, 4. Look Back in Anger, 5. Scary Monsters, 6. Little Wonder, 7. Fame, 8. Hallo Spaceboy, 9. All the Young Dudes.

Marilyn Manson performing at Ozzfest in Toronto, Canada in 2001.

Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.

In the early summer of 1980, eleven-year-old Hanna and the rest of her childhood band aim to bring criminals to justice when a threat to destroy the last dance of school comes their way. Their ensuing adventure pits good vs. evil and disco vs. punk, and ends with love and unity conquering all.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

Documentary musical essay on the topic of "Grenzwert". It was created in 72 hours.

A captivating journey through sound, science and story.

When is a laundromat more than a laundromat? How about when it's a bar? Or a venue for the best underground hardcore music in the city? Or when it's a home for a group of outsiders who are proud to not fit in. How about when it's all of that and more? Dirty Dungarees is the unexpected hub of the hardcore scene in Columbus, Ohio, cultivating a community unlike anything else in the city.

A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.

SETLIST: Iowa 742617000027 (sic) Eyeless Wait And Bleed Get This Before I Forget Sulfur The Blister Exists Dead Memories Left Behind Disasterpiece Vermilion Everything Ends Psychosocial Duality People=Shit Surfacing Spit It Out

A young man comes home for the holidays and tries to reconnect with friends from his past, only to realize he isn’t ready to face the version of himself he used to be.

To mark his forty-year career, choreographer Angelin Preljocaj has revived ‘Le Parc’, one of his most iconic works, at the Paris Opera. Set to music by Mozart, this romantic ballet depicts the games of love and chance, starring Alice Renavand and Mathieu Ganio.

Pierre Garnier has a voice that is as unique as it is powerful, and an endearing personality that has won him the hearts of millions of fans. Having become a key figure on the French music scene with his debut album "Chaque Seconde," Pierre Garnier has performed all over France this year during a triumphant tour of concerts and festivals. Recorded in early December 2025 at the Accor Arena in Paris's 12th arrondissement.

After becoming the first French-speaking rapper to fill the Stade de France in 2019, Gims has chosen a new arena for an exceptional concert in Europe's largest venue: Paris La Défense Arena. With a career spanning twenty years, eight million albums sold, and billions of streams, Gims is an extraordinary artist, multi-award-winning and adored by more than 25 million fans around the world. In this phenomenal show, which has already attracted 800,000 spectators in France this year, Gims offers a spectacular performance with his timeless hits, such as "Sapés comme jamais," "Bella," and more recently, "Ciel."

In search of the reality of life for independent musicians in the digital age, the film and art collective "relativ kollektiv" spent over a year accompanying the protagonists of the label and network "Analogsoul" in Leipzig, Berlin, Erfurt, and Jena. The film introduces the musicians in their everyday environments: in rehearsal rooms, during field recordings, at concerts, but also at their "day jobs." Directors André Klar and Benjamin Büttner discover situations between dedication and resignation and shed light on the everyday questions of people whose lives are based on their passion.

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.