Footage of Devil's Gate Dam insterspersed with text occultist text by Jack Parsons, co-founder of the Jet Propulsion Laboratory, who some believe opened a portal for dark energy nearby.
The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.
An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
"When I first started to photograph in dark and unfamiliar places all over Singapore in 2003, I had no idea that those images I made would come to define me as a photographer. Born out of a curiosity of the unknown, as well as a young photographer’s restlessness, While You Were Sleeping grew to say as much about our country as it did of me. Eighteen years, two books and two exhibitions later, Singapore is now a very different place. Many of the locations I visited in the early 2000s, once alien, are now completely transformed." – Darren Soh, photographer
White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.
THE MAZE dissects the terror-attacks since Paris Bataclan in November 2015 and looks for common patterns. Why was intelligence failing? And why keep our governments pushing for more of the same? A road movie into surveillance reforms, power, money and cover-ups. A search for a way out of this maze - with a glimpse of hope on the horizon.
Nous sommes des champs de bataille
Norbert Witte, once the king of the only amusement park of the former GDR, today he is behind bars in Germany. When fleeing bankruptcy in Berlin, Norbert Witte and his family secretly shipped their rollercoasters to Peru. Things went wrong here too. In a desperate attempt, Norbert tried to smuggle cocaine to Germany. Three years later his 23 years old son Marcel was sentenced to 20 years in a Peruvian prison. Now the father is doing everything he can in order to free his son.
Few aircraft have attracted more attention than the ominous black supersonic jet that for years has ranged the world on reconnaissance missions. This is the definitive tribute to an extraordinary peacekeeper, the SR-71 Blackbird. The History. The Technology. The Missions. The Pilots. And compelling, gripping footage of the Blackbird itself, on its "rocket ride" through the world's airspace.
ROLLER COASTER : Une technologie à sensations
In 2015, in Damascus, the Basateen al-Razi district and its orchards were razed to the ground as punishment for the population's uprising against the regime. Having lost everything, two former residents recall their neighborhood.
In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.
In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.
Iceland's first non-narrative full-feature film's focus is set on presenting Iceland in a way it has never been presented before, using various elements of high-end cinematography. There are places everyone knows, but there are also thousands of well hidden places. To find these locations one has to be adventurous or a local, and to capture them right, one has to be creative and extremely patient.
IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.
Last bastion of freedom of expression or playground for extremists and criminals? Opinions are divided on the messaging service Telegram. Just like on its mysterious founder, tech billionaire Pavel Durov. Is this man an uncompromising advocate of radical freedom or an accomplice of criminals of all kinds? Author Aleksandr Urzhanov searches for answers.
Never before in Russian history has the Russian domestic intelligence services been more powerful than today. The FSB is a murky organisation that can ruin people’s lives who are deemed enemies of the Russian state and even commit murder on behalf of the Kremlin. Four people in exile open up about their experiences with the FSB.
David Bond lives in one of the most intrusive surveillance states in the world. He decides to find out how much private companies and the government know about him by putting himself under surveillance and attempting to disappear, a decision that changes his life forever. Leaving his pregnant wife and young child behind, he is tracked across the database state on a chilling journey that forces him to contemplate the meaning of privacy and the loss of it.