AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
Two figures —an angel bathed in light and a widow veiled in mourning— mirror each other’s gestures. Through the interplay of costume, color, and hand-drawn intervention, Emerge & Fade explores how innocence and disillusion coexist and transform one another.
Sergio answers 36 questions to make Gabriel fall in love. Did you know Glauber was a Pisces?
A wandering suit man finds love, but that’s not his true desire. Through a seductive encounter, he begins to reveal his own identity and delusions surrounding him.
Porcelain bride cake toppers Val and Mara journey across the bakery and away from their assigned grooms to be with one another.
The body collapses in the ruins of the digital abyss, merging into pixel molecules in a cybernetic dissolution that disrupts the boundaries between human and machine through motion-tracking software applied to a body no longer legible within the colonial grammar of the algorithm.
"When Mollie's routine between a real and surreal gets interrupted by an uncalled visitor, the line between reality and dream blurs."
After the sudden loss of her girlfriend, a young woman discovers a gift that allows her to watch their love story unfold.
Laura is a victim of blackmail by her boyfriend, who has threatened to release their intimate photos. Desperate, she decides to take her own life but is saved by a boy who is on vacation with his friends. The boy offers emotional support to Laura and helps her through the difficult time, but nothing is as it seems, and Laura will have to come to terms with this shocking truth.
"The Inner Demon" consists of a red-saturated pallet that subconsciously produces a danger response in the viewer's mind. This along with the repetitive nature and monosyllabic delivery gives the piece an unnerving feel designed to replicate that of experiencing an intrusive delusion. "The Inner Angel" is the complete antithesis of the first piece both in sound and visuals. The cool tones used were designed as a pallet cleanser to the previous piece, producing a natural soothing reaction in the viewer's mind. This represents the effect of adrenaline kicking in with your fight, flight and freeze response. The final scenes of this piece represent a movement in mental state from delusional to illusional through the acceptance of the grounding state of nature and our planet. This can be seen as a wave of light passing through a particle of matter as a representation of brain waves passing across our neurons.
Cria
A ghost soldier bids farewell to his mother then possesses bodies worldwide to meddle in unfaithful relationships in Taiwan, Japan, Spain and Thailand. In Hong Kong he encounters his soulmate amid protests and they take refuge in a garage.
A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.
It took a hundred queer years for Lola Perla to be finally recognized by a government that never really took notice of the likes of her. But that’s okay, because along with the president’s anti-climactic, and in many ways, almost insincere recognition is a fat envelope containing Php100,000 (USD$2,000). For Perla, this is more than enough money to transcend her idea of a lifetime legacy. Today is the day Lola Perla confronts her long-standing personal covenant: to bail an ex-lover’s son out of jail. Meeting fifty-someting Nanding transforms into a reunion, then, a communion of her present self, with an old love.
A curmudgeonly biologist and his stoner graduate students encounter a group of mysterious backpackers who disrupt their lives in surprising ways.
A loose retelling of Dante's Divine Comedy, a trans woman searches for a way to turn her baby doll into a real girl while struggling with her own personal definition of womanhood within a world plagued by the horrors of being alive.
Six Hundred Seconds explores an impassive response to this question through an experimental short film.
Ranmaru is a 450-year-old vampire who works in a bathhouse. As a vampire he is particularly picky about his blood choices, his main goal being to drink the blood of an 18-year-old virgin. To do so, he has been watching 15-year-old Rihito, the son of the bathhouse owner who saved him from near death. Rihito must not lose his virginity before he turns 18 and Ranmaru does everything he can to prevent that. However, when Rihito starts to show interest in a classmate, Ranmaru's desperate fight to preserve the boys virginity begins.
A pair of mice attempt to board Noah's Ark: Vini, a charismatic poet with terrible stage fright, and Tito, a talented and charming guitarist. When the rains come, only one male and one female of each species is allowed on Noah's Ark. With the help of an ingenious cockroach and fate's good luck, Vini and Tito sneak their way onto the Ark and together avert a showdown among the ships carnivores and plant eaters. All the while, the animals perform a series of classic songs inspired by world renowned poet, Vinicius de Moraes. Can these talented stowaways use music to break the tension and help these cooped up creatures survive the 40 days and 40 nights together?