When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.
Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.
The film tells about the flight of the poetic mind, which can satiate the poet and throw him from the sky to the bitter reality.
Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.
After several years working as a high fashion model, Adel begins to question her surroundings and sense the absurdity of her situation. To ease her mind, she uses her imagination to justify the farcical requests she is faced with.
In the middle of an existential crisis, Ariana, a Peruvian filmmaker living in LA, seeks to give meaning to her migration experience by writing a short film. However, her creative process will bring triggers from her recent past that will make her heal some open wounds and question herself and her project’s objective.
The plot revolves around two completely different and distant women — a nurse and a fashion model — who are haunted by their own spectre after going through the same experience: they can no longer see their reflections in the mirror.
Andre inherits a small fortune, which pushes him into a series of surreal and aimless encounters with eccentric strangers.
Following the passing of British-Ugandan teen Nia’s grandmother, she struggles with the guilt of not being able to mourn her death. Through this, she is inspired to connect with her culture.
On her birthday, Greta avoids the town fair. After work at a piñata shop, she finds silence in a secret spot. Returning home, as fireworks crackle and the corrida begins, her father, missing for five years, is back.
When a Korean-American adoptee discovers his birthmother is terminally ill, he must decide whether to preserve his American identity or uncover his vague past.
Born with an unusual defect that left her without a navel, she grows up feeling like she doesn’t quite belong. Her body and her being carry traces of something foreign, something she cannot understand. To escape this strangeness, she develops a fascination with watching — always the observer, never the participant. But when she encounters a man, her fear of closeness begins to give way, turning into obsession. Gradually, her watching crosses boundaries: from distance to intimacy, from desire to intrusion.
Brayden Olson has spent his life wondering about the father he never knew. Armed with only a name, a faded photograph, and an improbable lead, he sets out across continents to uncover the mystery of Carlos. But as each revelation brings him closer to the truth, Brayden risks unraveling the life he’s always known — especially the bond with the mother who raised him alone. Raw, intimate, and deeply human, Finding Carlos explores identity, family, and the silent epidemic of fatherlessness.
Literalmente Yo
A sensitive study on human relationships and the passage of time. Through the lens of directing and editing, the film observes the nuances of daily life and the resilience of connections.
Dismissed by those around her, a young woman begins performing as a living statue, finding strange power in stillness, until she reclaims the spotlight on her own terms.
A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television.
In Sara's class, the popular kids, also known as the kings and queens, are subjected to daily humiliations, which include having their pants pulled down or water thrown on them, but this is only a sign of their elevated status. Sara is the only blond and blue-eyed girl in her class, and she is completely overlooked by the kings and queens who do not have blond hair and blue eyes. She has a secret crush on one of the kings, who is way out of her league, and she doesn't have any friends either, but would like to become friends with Karen, also an outsider who aspires to a better status. One day, Sara eyes an opportunity to boost her popularity by humiliating herself and thereby become queen. Karen instantly becomes her friend, she seems to catch the eye of her kingly crush and popularity appears within her reach. However, her happiness is short-lived, and in the end she learns a far more valuable lesson than how to be queen for a day.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.