Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.
Set in the al-Mishal Cultural Center in Gaza before it was destroyed by an Israeli air strike on August 9, 2018, A Play Before The Bombs is a story that unfolds over a 4 year period. The film follows Abeer Ahmed, a young woman growing up in the Jabaliya Refugee Camp, the largest refugee camp in Gaza, as she and the other members of her cast and crew prepare to put on a play that focuses on a Palestinian woman’s right to receive inheritance. While the content of the play is tailored towards fostering a cultural discussion among Palestinians, neither the play nor the playhouse can escape the omnipresence of the Israeli siege on Gaza. A siege that shatters literal buildings as well as the hopes and dreams of the performers and community members who take refuge within the walls of al-Mishal in search of artistic fulfillment.
After two intifadas and the construction of the Israeli wall, the only Palestinian zoo is still there and is now seeking for international recognition and to replace their lost giraffes.
An autobiographical work that traces the director’s return to Israel in the midst of its traumatic moment and horrific acts in Gaza. As his aging father suffers the onset of dementia, Sharim’s poetic meditations on loss are juxtaposed against the conflicted, agonizing histories of Palestine and Israel, and a destabilized future.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
Winner of the Jury’s Special Mention at the 18th Al Ard Film Festival in Sardinia, Bank of Targets documents Israel’s targeting of civilian infrastructure in Gaza in 2021. Through a first-hand account of the bombing of a residential building, Sarraj highlights the efforts of journalists to create a record of war crimes as they unfold. Sarraj was killed in his home by an Israeli air strike on 22 October, 2023.
Vacances en Palestine
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.
The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Israeli-born director Tamara Erde visits six independently-run Israeli and Palestinian schools to investigate how history is taught in this contested region.
The film "Searching for Freedom: The Holy Land Foundation" is a two part documentary focussing on the story of the Holy Land Foundation, established in the late 80s by three Americans from Palestinian origin, Shukri Abu Baker, Ghassan Elashi and Mohammad El-Mezain. The foundation aimed to supply humanitarian aid to the Palestinians in Palestine and countries hosting Palestinian refugees, it later became the largest charity association in the US to distribute humanitarian aid to Palestinians. After 9/11, the former US President George W. Bush issued a decision to shut down the Holy Land Foundation and freeze its assets. In 2007 the Holy Land Foundation trials began, where five of its members were charged with funding terrorism and sending money to Hamas, a blacklisted political group in the US. A second trial for the Holy Land Foundation members took place in 2008, which issued the convictions of five members of the Foundation and their sentencing of 65 years imprisonment.
In 2021, the Sheikh Jarrah neighborhood was attacked. The war lasted for 11 days, during which all forms of weapons were used. This left many victims, along with a great loss of buildings and infrastructure. But, maybe more importantly, it created deep psychological effects on all who lived through it, many of them children
Unspoken or إحكِ is about Palestinian spoken word poet Farah Chamma who, at the age of 17, became an online sensation after her poems went viral. Today, Farah finds her poetry at odds with the world she lives in. The film shows her conflict as she struggles with self-censorship and keeping her poetry authentic and real.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
A road trip through the hills, valleys and villages of Palestine, following Murad, the cinema-lover who has made it his mission to bring Palestinian cinema to Palestinians in forgotten and marginal communities in the West Bank.
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.
Assassinated Lebanese intellectual Mahdi Amel — often dubbed “the Arab Gramsci” — famously said: “He who resists is never defeated.” What use is his thought to us today, and what is our responsibility as image makers to Gaza?
Something from there is a short film on the substance of our original lands. Weaving between the voices of the artist’s parents, one a refugee and the other not, the film is personal, yet evokes a shared Palestinian experience.