Uncut Slobodan Milošević Interview on Bosnian War

"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.

After WWI, two friends, awarded officers return to their lives in peacetime. One of them becomes a commander of the gendarme's, while the other gets into conflict with the authorities and gets imprisoned, but escapes soon. A former hero becomes an outlaw hunted by the police.

For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.

A collection of material shot before and during WW2 in the director’s hometown of Banja Luka, where its quiet life was disrupted by the enemy.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.

The events in Sarajevo in June 1914 are the backdrop for a thriller directed by Andreas Prochaska and written by Martin Ambrosch, focusing on the examining magistrate Dr. Leo Pfeffer (Florian Teichtmeister) investigating the assassination of Archduke Franz Ferdinand. Trying to do his job in a time of lawlessness and violence, intrigues and betrayal, Leo struggles to maintain his integrity and save his love, Marija, and her father, prominent Serbian merchant. But the events of Sarajevo have set into motion an inescapable course of events that will escalate to become … the Great War.

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

Before and during WW II and the German occupation of Serbia, in a village in Vojvodina, inhabitants are separated based on their nationality. Local Volksdeutschers (ethnic Germans) enlist with the Nazi occupiers. The village bum, Leksi, jumps at the opportunity to put on a uniform and parade around with a gun. Leksi gets into an argument with villagers Marko and Joca, who devise a plan to get rid of him. At the same time, Marko tries to seduce Leksi's wife, Anika.

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.

We follow Timi, an energetic young skater who always seems to say more with his board than with words

Following the 2001 terrorist attacks on New York City, one item of clothing has gained a scandalous global reputation: the headscarf. All over the world, a major debate is going on about whether Muslim women should be allowed to wear the headscarf in public.

While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.

Film inspired by the beauty of medieval tombstones, stećaks, scattered around the mountains of Bosnia-Herzegovina and Mak Dizdar’s poem about them. Film explores the distant past immortalized in inscriptions on these ancient tombstones.

Documentary film that deals with the problems of the rock'n'roll scene in Niš, focusing primarily on the period after the collapse of the former SFRJ.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

In late summer 1991, three Italians reach a hunting reserve in Croatia with a station wagon. They go to deer, but, unaware of what's in store for months, they do not decipher the enigmatic signs that surround them. One of the three is suddendly wounded in the knee by a bullet of unknown provenance, and they end up in a hotel targeted by snipers night and day.

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

After forty years of fighting Moscow, Washington won the Cold War, and NATO found a way to expand eastward; however, there was one loose end to the problem: Yugoslavia was not a satellite of the USSR…

While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.