Sítio do Picapau Amarelo: Viagem ao Céu e No Reino das Águas Claras

At Pedrinho's request, Dona Benta begins to tell the legend of the Minotaur. In the middle of the story, a strange visitor appears on the farm and takes Aunt Natácia to some unknown place. Upon discovering that she was kidnapped by the Minotaur, the whole gang goes on an adventure to try to save Aunt Nastácia. And that's when the fun begins.

Sítio do Picapau Amarelo: Memórias da Emília

Sítio do Picapau Amarelo: Reinações de Narizinho

Sítio do Picapau Amarelo: Aventuras no Reino das Águas Claras

Sítio do Picapau Amarelo: Um Dia no Sítio do Picapau Amarelo

Sítio do Picapau Amarelo: Brincadeiras do Sítio

Sítio do Picapau Amarelo: As Peripécias do Saci

Sítio do Picapau Amarelo: Quitutes da Tia Nastácia

If the Sítio gang’s imagination usually knows no bounds, just imagine what happens when they decide to embark on a "Journey to the Sky"! First, Pedrinho builds a telescope. Then, the boy gathers Narizinho, Emília, Visconde, Conselheiro, and Tia Nastácia. They arrive in a strange, mysterious place, decide they are on the Moon, and—just like that—cause such a ruckus that they wake up Saint George’s dragon! And that’s only the beginning, as the gang goes on to visit other planets, ride comets, and even meet a new companion: an innocent little angel with a broken wing. Meanwhile, a group of astronomers is preparing to announce the first intelligent life forms spotted in space. Guess who they turn out to be!

Pedrinho goes hunting in Capoeirão dos Tucanos, the virgin forest of Sítio do Picapau Amarelo, and meets the Saci, who tells him the secrets of the forest and several legends of Brazilian folklore. They work together to free Narizinho from a spell that Cuca put on her.

In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.

Sonho e Sombra

Emília – A Magia está de Volta

The students of Suzuran High compete for the King of School title. An ex-graduate yakuza is sent to kill the son of a criminal group, but he can't make himself do it as he reminds him of his youth.

It is 300 years into the future. Earth's environment had been devastated by mankind's own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The world balance is tipped when a young boy named Agito stumbles across a machine that glowed in a strange blue hue inside a forbidden sanctuary.

The hilarious story of a restless young farm-thumb, Loke Groundrunner, and his tasty companion, Princess Bunhead, who go on an quest to combat Black Helmet Man and the Evil Thumbpire. This is the first film of the hilarious 'Thumbs!' franchise.

Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.

Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.

During the heat of battle in the midst of the Civil War, a beguilingly innocent colt is born to Union Jim Rabb's beloved mare. Refusing the orders to shoot it, lest it prove a hindrance, Rabb keeps the colt as a consolation in these desperate times-a symbol of hope that leads the men of the First Cavalry on a journey of self-discovery and newfound brotherhood.