Madame Satã - Pague Para Entrar, Reze Para Sair

Goro is a gynecologist and idol fan who’s in shock after his favorite star, Ai, announces an impromptu hiatus. Little does Goro realize that he’s about to forge a bond with her that defies all common sense! Lies are an idol’s weapon!

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

A fan produced, unauthorized, non profit concert documentary featuring the Misfits playing their first show since 1983. Glenn Danzig and Jerry Only reuniting with Doyle as "The Misfits" to play two Riot Fest dates in 2016 was an unparalleled example of Hell truly freezing over. A obsession with a single challenge developed: Could one rip all of the crowd shot videos floating around on YouTube and sync their audio in order to recreate the FULL 80 minute show? The answer was yes.

Laura and Harrison have the picture-perfect romance built on the foundation of a shared love of music. After a deadly accident, Laura gets the chance to save the love of her life when she discovers that their mixtape can transport her back in time.

After an accident takes the life of their partner, an individual grieves and mourns, exploring the inability to let go. The animated short film of the EP "A Tear in the Fabric of Life" by Knocked Loose.

Lights Out, Berlin!

High schooler Asaya Kanata throws himself into creating music videos. One night, he is stunned by the voice of a woman performing live on the street in the rain. The singer is Yū Orie, who abandoned her musical career and has just started working as a teacher at Kanata's high school.

A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.

Blitzkid performs at the famed Conne Island venue in Leipzig Germany during the Hellnights 2012 tour (part of their farewell European Return to the Living tour).

A feature length concert film of the former frontman of the resurrected Misfits, Michale Graves at the Europa Club in Brooklyn, NY.

Light Breaks Where No Sun Shines

Mina in Studio

A series of 3 episodes showcasing alternative bands including: Equinox, Scandinavian Fruit and Bellache. Directed by Sid Forbes.

Ta lumière à travers mes limbes

Music & lyrics by Lightning Bug Video by Tomonari Nishikawa

An immersive look into up-coming Melbourne band 'The Spaghetti Stains', including their upbringing in the regional Victoria area of Gippsland, their experiences as an all-female band, and their outlook on life and the future of the Melbourne music scene.

A once-in-a-lifetime live, global original concert event offering fans from around the world a front-row seat to witness the groundbreaking magic of the Rocket Man back at Dodger Stadium and showcasing Elton John as audiences have never seen him before, paying tribute to the icon and the seminal moment in 1975 that cemented his global success.

Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.

Concert film from Nana Mizuki featuring her Live Fighter Tour in 2008. This concert was split up into two days with the Blue Side being on July 5th, 2008 and the Red side on July 8th. Each version has a different set list.

In their early years, SNFU built an audience across North America through energetic live performances and a dynamic punk sound. Their 1985 debut album ...And No One Else Wanted to Play has remained influential in underground circuits. They grew in popularity following two further studio albums, but disbanded in 1989 due to internal tensions. SNFU reformed two years later, however, in a second incarnation which found greater success. They signed with the prominent indie label Epitaph Records, achieved six-digit record sales and toured in support of larger groups. They became independent in 1997 after the expiration of their contract with Epitaph. They again disbanded in 2005, only to reform two years later.