A young college student in London moves into a flat and becomes best friends with a flatmate; the former moves into her own flat 4 years later but 6 years after their parting, the former returns to London to pay the latter a visit.
Declan Holmes is graduating college, a hard enough time as it is, and heading out into the real world. The loss he experiences is like nothing he has ever known before. 'Potential Inertia' is the story of his journey through a very difficult time, and the relationships that can either build you up or tear you apart.
Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.
Noúres
The film explores a young man's intimate relationship with the Internet. While the absence of a father figure has left him searching for answers, he finds an unexpected mentor in Google. From learning everyday tasks like shaving to discovering deeper knowledge, the algorithm becomes much more than a simple search engine, blurring the boundaries between real and virtual.
The story of how mobster Henry Hill - played by Ray Liotta in Martin Scorsese 1990 classic, Goodfellas - helped orchestrate the fixing of Boston College basketball games in the 1978-79 season. The details of that point-shaving scandal are revealed for the first time on film through the testimony of the players, the federal investigators and the actual fixers. Playing For The Mob may be set in the seemingly golden world of college basketball, but like Goodfellas, this is a tale of greed, betrayal and reckoning. Ultimately, they both share the same message: With that much money at stake, you can't trust anybody.
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
From LUX: "Welsby adopts a system of camera movements to chart the movement of tides, waves and sky".
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.
For Marisol Rivera, a first generation Mexican-American, college is everything she's worked toward. She spent mornings cleaning horse stalls and evenings studying. Now, with a scholarship in hand, she's ready to leave Southwest Texas and begin her new life. However, when Marisol is falsely accused of a crime, she learns a heartbreaking truth: she's undocumented. Forced to go on the run, Marisol discovers a kind America amidst a harsh bureaucratic system. A coming of age film through the lens of immigration, Marisol critically examines systemic oppression and the causality of racism.
Graduation is approaching, marking the close of a chapter. I took my camera to Green Island, recording video letters day by day. But the camera became unruly, backup batteries went missing, and the trip began to go downhill. Typhoons arrived, and the video letters ceased... Finally, facing the sea beneath the sun, my camera non-responsive, I took a Dramamine, then boated back home.
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi Townley, Jack Brintnell, Luc Wiebe, and George Lee.
Memorial
Based on the alleged autobiography of gay peruvian talk show host Jaime Bailey. Joaquin, a young man from the high class of Lima, deals with problems concerning his sexual identity as a child, then as a teenager pressured by his macho snobbish father, then as an independent lazy pot-smoking college student, and later as a cocaine addict in Lima and Miami.
Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.
A man killing himself because he’s unpopular. Analisys of the suicide of a man who had never been born or seen.
A psychadelic mental breakdown occurs. The lights are bright, the colours vivid, the images blurred, the mind absent.
Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.