The inside story of the Palestinian-Swedish band Kofia, told through film and music. Singer-songwriter George Totari fled Palestine during Israel's 1967 war and founded a band dedicated to liberation. Bringing the sounds and struggles of the Palestinians.
The movie is set in Nis, Serbia. A girl from Pittsburgh called Sophia, who lives and works as a designer in an international construction company in Nis, decides to change her bad habits and her life for the better, after hearing an advertisement on the radio and applying for a huge international casting for top models. Until the day of the casting, Sophia is working on herself and is making changes in her life that she never imagined she would. However, after the casting and the CEO Marc’s decision, as well as the decision of his assistant Jenny and the whole ‘Markofit’ team, Sophia is faced with true disappointment and goes back to her old ways. Nonetheless, this soon changes after one conversation with Jenny, the assistant. The movie ‘Change’ was created with a goal to show support to all the people around the world, who do not believe in themselves and lack motivation. The film puts forth the idea that anything is possible in life if we are willing to make changes.
In 1986 Terri had a hit record. Still touring - same tune, same band - she longs for new material, but Paul her guitarist and boyfriend, can't see it. When teenage musician Jack can, she flees her gig on Canvey Island for a one night adventure, and finds her voice at last.
A bittersweet look at life’s many challenges, albeit as experienced by furry, feathered, and slimy creatures who sound and feel all too human.
A student film parody of the Sopranos opening sequence, with a funny twist.
Envy
An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.
this is my first student film I've ever made. its a thriller which takes place in the main character mind. we see how this character "rue" is fighting for their life. will he escape ? or will he be caught ?.
Influencers on a Hamptons trip are terrorized by a mysterious online stalker.
After a near fatal car crash, Allen (Dean McBain) must find help while being pursued by a mysterious figure.
On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.
Early Vitaphone short.
A chemical analyst, finds himself under unbearable pressure from the environment he chose to live in. Which leads him to a drastic change, for self-acceptance.
The Lemmy Kilmister/Phil Campbell/Mikkey Dee Motörhead line-up spent decades cracking sound barriers, bending ears and decimating lawns worldwide, consistently delivering the Motörgospel to hundreds of thousands of fans. Louder Than Noise... Live in Berlin is a thunderous performance from the band's 2012 Kings of The Road tour, spanning fifteen classics across all four decades. This line-up was Motörhead's longest serving by a considerable distance, and throughout Louder Than Noise... Live in Berlin their powerful synergy boots its way through the speakers with the raucous charm and dirty, dangerous, sweaty gusto that was the Kilmister/Campbell/Dee trademark.
Big Time, the visual counterpart to Angel Olsen's album of the same name, is the story of light versus shadow told through a non-linear surrealist dreamspace that poses one central dilemma. ‘What lengths must one go through to let go of the past in order to step out of the darkness and accept one’s true self?’ It’s a story that targets deep rooted complexities such as how our unconscious deals with repressed sexual identity, the hardships of letting go of our past selves in order to step into self actualization, and the guilt we hold when dealing with loss.
The Tortoise composed a song and the Lion cub learnt it by heart and they sang it together.
When Ash invites his ex-boyfriend on a road trip to the Florida Keys, he doesn't mention that their weekend getaway is actually a dangerous drug deal.
A Super-8 short-film adaptation of S.E. Hinton's "The Outsiders" styled as a music video/silent-film -- director Juli Saragosa has a different take on greaser masculinity than did Francis Ford Coppola.
Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?
Anzol