Memórias de um Figurante sem Nome e Outros Notáveis da Figuração

In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.

In late 1960s New York City, fed up with monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world. And just like that, as he flees NYC, heading to San Francisco, Fritz embarks on an endless adventure of illumination. Immersed in a world surrounded by drugs and sex, Fritz participates in mad orgies, brings about a revolution, incites mass urban riots, and crosses paths with drug-addled Nazi bikers.

A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, Russia, and North America. Their propaganda is a message of hatred, war, and segregation.

David Bono is a hitman hired to target Orshanabi Nazzar, a high-ranking priest-bureaucrat in a temple corporation in the fictional city of Babylonia (Brussels-based). The corporation has invented a way to avoid death by recording people's lives. While gathering information and preparing for the job, David meets Ellie, with whom they slept together. However, Ellie is a member of a cult called Children of Ishtar, and David's job would interrupt their life-recording ceremony. Facing an obsessive dilemma, David tries to find a way to do his mission without killing Ellie. First, he tries to convince Ellie not to attend the ceremony, and then he hires a local crook to kidnap her while he does the job. After the successful job, Ellie frees herself from the kidnapper, discovers the truth, and leaves for Akkadia. Meanwhile, David calls to receive the rest of his payment but gets ambushed by the contractor.

Izzy does everything in her power to stop her partner from transitioning.

A subway enforcement officer working in the oppressively gray Budapest metro gets a chance at love — but first he needs to find out why passengers are jumping — or being pushed — to their deaths onto the tracks.

Nino is a pianist, he runs into Valentina in the underground and falls for her. Valentina is rich but she tells nothing to Nino who is proud. Andrea was the boy of Valentina before Nino and wants to marry her for her money. Nino leaves Valentina when he finds out that she is rich while Andrea, turned down again, kidnaps Valentina.

Meet The Plastic People of the Universe, the avant-garde, jazz-rock, Sun Ra meets Velvet Underground, Czech revolutionaries. A tribute to the band that against all odds used the power of their music to help topple their oppressive government.

Chicago-area filmmaker Scott Grenke’s infamous splatter comedy from 1989. When five teens throw a BBQ for their reanimated friend, a singing and dancing Executioner serves up more blood than ketchup. With five original songs, practical effects and hemorrhaging with dark humor, this classic is now available and licensed on VHS for the first time in 19 years (31 years since its Cablecom debut).

MISERY LOVES COMPANY is a film about personal growth and emotional understanding in the guise of a dark romantic comedy. Brian Norton (Peter O'Brien) is a broken-hearted projectionist with a chip on his shoulder. After getting dumped by his current love interest, Alison (Priscilla Wilson), he inverts to a retrospective state in search of the source of his dilemma, but when your reality is primarily fantasy, it's easy to lose sight of things. Brian struggles for understanding as his best friend, Cliff (Steven Bendler), encourages him to put his emotions aside and focus on friendships instead of relationships. It is through Cliff that Brian meets Veronica (Carly Ballister) and his inner conflict begins. His problems are exacerbated by the adolescent advice of his friends, Les (Shawn Stephens) and Wayne (Konrad Mann). What follows is an exploration of options, expectations and experiences that serve to remind Brian of one thing... You're never as alone as you feel.

The Underground subcultures in Budapest are an integral part of the diverse and colorful Hungarian culture. The creators of the film - Esther Turan and Anna Koltay - wanted to explore what were the major youth music subcultures in the '90s and 2000s in Budapest. This film is a tribute to the underground subcultures of the city. In these series of films, these grass-roots groups deal with the social impact of their community building power and the role played by Budapest itself in the formation of these groups. The film explores the kind of atmosphere and unwritten rules, what were the dominant places, external signs, and symbols, or who were the central figures and what were the memorable stories. The film guides the viewer from the best bands to the message, from the typical attire to the cult bars. The new generation is a starting point, a complex retrospective of where it originated and why the colorful underground cultural life still characterizes Budapest today.

Michaela 'Traps' Sinclair is a trans sex worker trying to get by in Vancouver while also mentoring her recently-out friend Adeline and making an attempt at pursuing actual motherhood. Meanwhile, lowly production assistant Turner finds himself dangerously spiraling into inceldom as his current relationship implodes.

The story of two teenage extraterrestrial refugees from the planet Pluto, who escape to Earth after their planet is destroyed by the US government, as it was deemed “insignificant.” For many years prior, tensions between the Plutonians and the Earthlings had seen a steady incline, as Pluto held camps where Earthlings were experimented on and tortured. The two aliens make their crash landing, undertake human form and undergo the aliases “Hugh Jainus” and “E. Rection”. In an effort to wage revenge on the nation, with their brainwashed sidekick Potator under their wing, the trio hijack television stations worldwide and broadcast mind-numbingly stupid and ridiculous, yet insane and often violent programs to dumb down and distract the nation’s citizens from their devious plans. The tube tells the story...

A teenager in suburban Florida desperately hustles to make $5,000 in this dreamy and surreal animated coming-of-age story.

Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.

Gein Meats is a family business specializing in the production of blood sausages made with the menstruation of kidnapped women. Everything runs smoothly in the company until love arises between the kidnapper and the kidnapped. From then on, they must find a way to escape both the horrors of the meat-processing business and the macabre Gein family.

A documentary analyzing the social, political and cultural climate of Hollywood in the mid-1960s.

Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.

A fresh look on the underground system in place in Milan in the year 1982.

aka "No One Likes You"