An ex-con, his daughter and her two friends plan the elaborate heist of a nickel mine in Northern Ontario.
The Pictures that Moved (1896-1920) - A novel moving picture of Australia early in the 20th century. It moves through ethnographic and actuality films, newsreels and features to the 1920 features Robbery Under Arms and The Sentimental Bloke. The Passionate Industry (1920-1930) - The twenties was a passionate period - a decade of fervent, feverish activity in the film industry in Australia when over 100 feature films were made. Fewer than 30 survive today. This documentary features For the Term of His Natural Life, the husband-and-wife team of Louise Lovely and Wilton Wench and the work of director Raymond Longford among material from 50 newsreels, 16 feature films and still photographs drawn from over 70 collections. Now You're Talking (1930-1940) - The story of the Australian film industry in the thirties, from the pioneering days of "talkies" through to the decline of the industry with the coming of World War Two.
Fábio Leão - Entre o Crime e o Ringue
This documentary follows the vacations of four prisoners, during four days, while they spend Christmas with their families for the first time.
This innovative and spectacular 3-part series shows how examples from nature can make human beings and their machines faster, smarter and more efficiently. Whether in ice deserts, under thousands of meters of water, or on the highest mountains in Order to survive, animals need the conceivable best, toughest and most sophisticated equipment. Over the past three and a half billion years of evolution always had it develop new, more crafty plans and recipes. When we observe people's nature, therefore we find many of our own toughest technical problems already solved. We just have to look closely.
An all-star celebrity tribute to celebrate George Burns 80th Anniversary in show business.
Short film by Kim Sung-su.
This documentary is about a group of people led by the anti-high artistic attitude of the underground culture of the end century during the Mid-Autumn Festival in 1995 for three consecutive days and two nights, supported by the unprecedented courage of the Taipei County Cultural Center; the planning is broken.
A Self-Portrait is the story of the art teacher Qiu Sha, told in photos and the words of Qiu Sha, about his youth, the changes in his family and in society. Director He Yi: 'What I remember now is the material that I came to mind of a man who has lived through the different eras in China. From all this material I not only read the history of a man and his family, I also learned something about the demands placed on life in a society over several decades.
It's the middle of the night in a diner at the edge of town and a man has settled in to read a book and enjoy a club sandwich. Unfortunately, he is in the wrong place at the wrong time.
A woman teaches her techniques on how to seduct over men.
A woman explains her distaste for the use of underwear.
A documentary encompassing gay life in New York City. The ultimate goal for this film is to exhibit the historical culture culture of New York City's gay lifestyle and expose how the unknown modern gay life has evolved.
Michael and Suzie are an engaged couple taking their honeymoon off the coast of Spain. Their reservations are lost and Michael loses their luggage and money to a scam artist promising to get them a room. Suzie berates him and Michael, disenchanted with his nagging wife-to-be, gives in to the temptations that are all around them. He falls in with a free-wheeling motorcycle gang. Eventually his lover leaves him (Hemingway-style) for a bullfighter, and he and Suzie, having found their wild and independent spirit on the island, come back together.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.
A documentary recounting Anne Frank’s story and death at Bergen-Belsen before turning to a detailed examination of the camp itself—the routines of its officers, the atrocities committed there, and the troubling postwar reality that many perpetrators lived freely with state support in Germany.
Kinder des Lichts
Franz West (1909-85) remembers his youth in Vienna: the variety of the Jewish population of the so called Matzah-Island, his commitment to the worker’s movement of the Red Vienna and the rise of Austro-fascism and National Socialism. West’s masterly narration combined with impressing archive footage illustrate and elucidate the complex Austrian history between WW1 and WW2.
A graphic artist and sex addict, Brad, is seduced by Lorelei, a rich married woman with ulterior motives and a lesbian lover on the side. His cute and sensitive girlfriend, actress Shannon, slowly falls for a more caring man from work.