The film is set in southern Georgia during Ottoman control, where inhabitants, who were driven from their homes due to enemy invasions, try to return home through different means. One of these inhabitants is the young scholar Antimoz.
13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.
In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
Two monks on a mission choose very different paths
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.
A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…
A full-blooded, interesting life has long eluded the house where a mother, father, son and daughter live. Trivial household matters, conversation at dinner about duty — that's all that connects them. The situation changes when it becomes known that the family inherited the village house, and that it will probably be necessary to enter into a struggle with the joint heirs. From the bottom of chests, old albums and documents confirming the priority of the family are extracted, and intrigues begin ...
This film ballad is dedicated to those who never returned home from WW2. A group of retreating Soviet soldiers, crossing a lunar terrain in a desperate attempt to escape death, is attacked by a German fighter plane that appears like a bolt from the blue. One by one they are killed. Then suddenly, in an unlikely denouement bordering on the mystical, the attacker is shot down with a simple rifle. For ideological reasons that defy understanding this film, one of Viktor Hres’ earliest works, was shelved in 1967 by Soviet censors. In 2010, it was restored by the Debut Studio of the Oleksander Dovzhenko Film Studio with the support of the Ministry of Culture and Tourism of Ukraine.
Directed by Zaza Khalvashi.
A weary traveler, Tariq, visits an old sage in an old house, seeking justice for past wrongs. He gains everything he bargained for - and more.
The short film (conveyed in a parable-like story structure) follows a man devoted to himself and the blessings of his attributed god. He struggles to survive a primitive life and is forced to take action to ensure his own prosperity.
Lithuania, 1977. Memories of childhood, adolescence, and first love in a small provincial town, shown through complexity of human relations at this periodical film.
Garib in the Land of Jinn
This entry in the long-running romance of Jonathan and Jennifer Hart picks up following the death of their beloved friend Max when the Harts go to Montreal for the reading of his will. While there, they learn of a clock Max has left for them with his niece, Marie, which is stolen before they can receive it. Meanwhile, Marie’s partner in their antique shop, Vivienne, meets with Ronnie, her secret lover and the husband of the Harts’ friend Lady Camilla Ashley, and is subsequently killed. The clock seems to be at the center of a mystery which includes kidnapping and murder, and the Harts will have to unravel it if they want to get their gift from Max back.
The Three Maxims are trapeze artists Pat (Anna Neagle), Toni (Tuilio Carminati) and Mac (Leslie Banks). After spending most of their careers in the small time, the threesome finally get their big chance in Paris, at which point Mac realizes he's in love with Pat.
Joey is a player, a hot-shot movie agent in New York. If a deal can be made, he'll make it. If a rising talent can be snapped up, he'll be the first in line. And when it comes to luring Hollywood in a bidding war for a script nobody's read, Joey is your man. Joey's definitely cruising in the fast lane. Bu there's one thing Joey has never taken the time to do... live. Joey's programmed life is turned topsy-turvy by a series of unexpected events which culminates in a serendipitous romance with a throughly remarkable young Jamaican woman.
Through the wonders of virtual reality, Emmanuelle tries to help a former schoolmate to overcome a traumatic sexual past.
Mark A. Lewis's tragic-comic adventure ILL FATED plunges the viewer into the boxed-in world of Jimmy, a small-town teen who seeks a better life but who sees dead-end signs at every turn out of town. His vague plan to leave and "look into college" is complicated by a revolving door of small-town complications - the demands of his lumpen best friends, his troubled girlfriend, his promiscuous stepmother and cuckolded stepfather. But the biggest complication of all is the return of his womanizing biological dad Earl, who'd fled in Jimmy's infancy after impregnating the wife of a violent convict (also his best friend). Earl's return is a catalyst to disaster, and a palette for director Lewis to paint a hyper-realist picture of small-town dystopia.