The Powers of Katsu

Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape

Extracorpus

Follows a famous artist with dementia’s surreal encounter with death.

A documentary made for Konrad Mägi exhibition "The Light of the North" in Torino, Musei Reali (2019-2020), about Mägi's life and his legacy.

Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.

Looked from various view points, be it religious, philosophical, medical, cultural or emotional, on a stage flooded in flickering light, with an advanced technique of combining bodies, images, video, sounds and lighting, [OR] is a meditation on the "grey humour" overhanging the space between life and death.

UN DÍA DE MAYO (Becoming Mayo ) explores the emotional journey of Mayo, a young man burdened by unresolved trauma, who must confront his painful past to reclaim his passion for painting and embrace love. The film delves into the healing process, showing how creativity and vulnerability can break the barriers of fear and guilt.

A man of the cloth finds his faith challenged both by the death of one of his closest relatives and the aftermath of the crime in this thriller. When a man is murdered under mysterious circumstances, his brother, a Catholic priest (Richard Grieco), decides to start his own investigation with the help of his uncle, a detective, in hopes of tracking down the killer.

Aarya leaves her family in the city to pursue her passion for the arts. She is gifted a red scarf, and is haunted by a Churail; a demonic and malevolent South Asian Witch.

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

Painter, poet and playwright, teacher and freethinker, lover and traveler, Austrian artist Oskar Kokoschka (1886-1980) was a rare individual who remained lucid and passionate throughout his long life.

What is the true meaning of the art?

British artist, academic, musician and activist Bob and Roberta Smith has been waging slightly odd political protests for years, in this documentary he investigates the age of activism and discovers what people are protesting about.

Tracy Flick is running unopposed for this year’s high school student election. But Jim McAllister has a different plan. Partly to establish a more democratic election, and partly to satisfy some deep personal anger toward Tracy, Jim talks football player Paul Metzler to run for president as well.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.

Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

Henry Poole abandons his fiancée and family business to spend what he believes are his remaining days alone. The discovery of a 'miracle' by a nosy neighbor ruptures his solitude and restores his faith in life.

With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.