The making of Roman Polanski's "Oliver Twist" as seen through the eyes of the film's child actors.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A special behind-the-scenes look at the making of the audiobook edition of "d'ILLUSION: The Houdini Musical" and how it did its part in helping keep theater and the arts alive during the COVID-19 pandemic.
A comprehensive documentary detailing the making of 'Hacksaw Ridge', including the real-life people and story, casting, filming, special effects, stunts, and interviews with Mel Gibson, Andrew Garfield, and more. 'Hacksaw Ridge' is the epic and inspiring true story of Desmond Doss, an army medic and conscientious objector who, during one of the bloodiest battles of World War II, saved 75 men without firing or carrying a gun.
A newly expanded version of the original Grace documentary, featuring new interviews with band members and producer Andy Wallace as well as unseen footage of Jeff and the band at Bearsville Studio recording Grace. Included in Grace (Legacy Edition), a newly remastered version of the album.
A 9-part retrospective documentary from 2009 on the trilogy’s legacy.
Discover the Paris 2024 Opening Ceremony full preparations, from first sketches until the very end of the show. We follow every aspect, including exclusive access to Celine Dion’s rehearsal, as a small team of dedicated individuals defy all odds to create one of the most incredible TV shows that has ever-been produced.
The making of Alfred Hitchcock's 1956 film 'The Man Who Knew Too Much'.
Documentary about the making of the Spierig Brothers' 2014 film PREDESTINATION that is based on Robert A. Heinlein's 1959 science-fiction short story '—All You Zombies—'. Through interviews with cast and crew, film clips and behind-the-scenes footage, this documentary thoroughly explores how the film came to be from casting to pre-production to principal photography to post-production. Interviewees include writers/directors Michael and Peter Spierig, producers Paddy McDonald and Tim McGahan, director of photography Ben Nott, special makeup effects designer Steve Boyle, production designer Matthew Putland, special makeup effects supervisor Samantha Lyttle, costume designer Wendy Cork, film editor Matt Villa, and actors Sarah Snook, Noah Taylor and Ethan Hawke.
A delightful insight into the filming of Antony Hickling's "Frig" with interviews and behind the scenes footage.
Além do Sol Posto
The film tells about the main stages of the history of the country's largest studio "Mosfilm", about the work of the creative team, introduces the viewer to the outstanding masters of Soviet cinematography, with such unique groups such as the Theater-Studio of Film Actors, with the workshops of the studio.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
A documentary on the making of The Amazing Spider-Man 2 (2014), featuring interviews with the cast and crew, as well as behind-the-scenes footage.
Documentary about Giger's work for the movie Alien (1979).
Making of "20th Century Nostalgia"
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.
A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.