The Profligate Door: Borowczyk's Sound Sculptures

During a hospital stay in 2001, the Polish painter, sculptor and filmmaker Walerian Borowczyk compiled a handwritten list of the objects and animals that were featured in his films. While he had used both encyclopedias and dictionaries to order chaos in his own films, this list saw Borowczyk putting his own life in order.

This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.

A documentary about Borowczyk's 'Goto, Isle of Love' and its creation, featuring key cast and crew members.

A documentary about Walerian Borowczyk's short films and animation, featuring his collaborators from that time.

A documentary about the making of Walerian Borowczyk's 'Blanche'.

In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.

This short traces the history of sound in the movies, beginning with French scientist Leon Scott's experiments in 1857. Featured are snippets from early sound pictures.

The devastating impact of industrial and military ocean noise on whales and other marine life.

An unusual documentary exploring sound. Unique elements of Japanese culture are revealed through ancient rituals and extraordinary musical spectacles. A young Buddhist priest whose family has been serving a temple for the past 500 years is also a DJ and beat-boxer. A drum teacher takes part in a costume performance of a 700-year-old ghost story. A female performer plays the Sho, a rare bamboo instrument that is believed to imitate the call of the mythical phoenix. The core ideas explaining the magical potential of sound that permeates all parts of the film are presented in the tradition of Shingon Buddhism. These beliefs are explored through following Buddhist chanting lessons for student priests at Shuchiin University in Kyoto.

The film accompanies musicians who have devoted themselves to new, uncharted sounds with a great deal of passion. They build new instruments and work with quotidian noises. In the process, the ostensible noise often becomes sound. An adventurous journey of discovery into the realm of noises and sounds, rhythms and stillness. Together with people who listen closely and without reservation. A film that aims to engage viewers to listen with their eyes and see with their ears. Astonishingly sublime.

Since the 1930’s, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film’s post-production, Foley artists recreate sound that will match the moving image on-screen, using whatever objects are at their fingertips, from hundreds of pairs of old shoes to clunky old tools and squeaky mattresses. But how will Hollywood’s low-tech sound artists survive as digital technology consumes modern movie-making?

Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.

film about the desire of listening. An intermingling of voices from childhood, dreams, history, sex and politics. A visual essay about the universe of sounds. What is sound? What is the sound experience? Sound placed and replaced as Energy. Nothing more should be said. The final conclusion, while the spectator flies over an infinite sea, talks about spreading fragility open. That is the Sound.

A visual essay about Walerian Borowczyk's works on paper.

Pure sound unaltered by human hands is becoming increasingly difficult to find. Gordon Hempton is an Emmy Award-winning sound recordist who has spent the last 30 years trying to find and record the vanishing sounds of nature in an attempt to capture a disappearing sensory experience. Filmmaker Nick Sherman observes Hempton in the wilderness for 30 days and uncovers an obsessive artist on a quest for perfection in this obscure medium. Hempton’s natural ability to locate and articulate himself through sound has a contagious energy and gives his work a transportive quality. Soundtracker is a fascinating meditation on the world’s changing landscape and the things we may be leaving behind in the service of progress.

"Central Park" is composed of 11 films that offer a visual, sound and poetic journey through 11 cities crossed by the artist. Fascinated by the city, space and urbanism, Dominique Gonzalez-Foerster has been developing the concept of "tropical modernity" for several years, starting from the cohabitation and the confrontation between architecture and vegetation. It is around this research that she designed "Central Park" 11 films : - Kyoto (1998) - Taipei (2000) - Buenos Aires (2003) - Los Glaciares (2003) - Hong Kong (2000) - Encore Tapei (2000) - White Sands (2003) - Brasilia (1998) - Paris (1999) - Shangai (2003) - Rio de Janeiro (2000)

When two teenagers discover an unusual object possessing supernatural abilities, they find themselves dealing with more power than they can handle.

According to the director’s request, film sound engineer Mr. Jung and his staff set off on a journey to find sound of light flowing out of darkness. Their effort to find the sound within the flow of time gets more persistent and their passion for the movie becomes another movie in itself.

A family is forced to live in silence while hiding from creatures that hunt by sound.

Inspired by Lindbergh's flight from New York to Paris, Mickey builds a plane to take Minnie for a trip.