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Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

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Goofy (front) and Donald (rear) are dressed in a moose suit, trying to lure moose for hunter Mickey. When they do find one, it turns out to be more than they can handle.

A big-game hunter travels to Malaya to help stop the Nazis and Japanese from destroying the rubber industry.

When two moose find tracking collars on their necks, they think they are dog collars and try to find an owner.

A city teen travels to Montana to go hunting with his estranged father, only for the strained trip to become a battle for survival when they encounter a grizzly bear.

Evil poachers killing rhino’s who turn to butchering humans instead, blah, blah, blah... Deon Stewardson kills the main villain in a fight at a taxidermists workshop - impaling him on, wait for it, wait for it... a rhino horn!

Donald is inspired by the spirit of his forefathers to take up a gun and go hunting for his food.

When the hunter arrives for this year's moose hunt, a young woman who is new to the hunting team is introduced. He watches her during the hunt and then he steps into action.

Incorporating never before-seen archival footage, home movies and interviews with family members, journalists and law enforcement officials, PABLO ESCOBAR: KING OF COCAINE tells the story of the twisted Robin Hood who founded the Medellin cartel cocaine smuggling organization and became the first billionaire criminal in South America. This piece is part of The Learning Channel series "Legends," hosted by Bryant Gumbel.

"Bullets Over Hollywood" delves into America's fascination with gangsters and features historical perspective, analysis, behind-the-scenes anecdotes, and details about the connection between real-life hoods and their cinematic alter egos. The documentary chronicles films such as the _American Mutoscope & Biograph [us]_ film _Musketeers of Pig Alley, The (1912)_ (the 1912 film directed by D.W. Griffith that began it all), 1930's and '40s classics including "Little Caesar," "The Public Enemy," "The Roaring Twenties," "The Petrified Forest" and "High Sierra," to such modern tales as "The Godfather," "Scarface," "Goodfellas," "Donnie Brasco," "Casino," "A Bronx Tale," "Carlito's Way," "Once Upon a Time in America" and many more. The special takes a look at television with shows such as "The Sopranos" and "Growing Up Gotti," all part of America's parallel fascination with fictional and real-life gangsters.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.