L'Homme Panache au Yukon 3

Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

L'Homme Panache au Yukon 7

L'Homme Panache au Yukon 8

L'homme Panache au Yukon 1

L'Homme Panache au Yukon 10 - Chapitre Final

L'Homme Panache au Yukon 2

L'homme Panache au Yukon 4

L'homme panache au Yukon 5

L'Homme Panache au Yukon 9

L'Homme Panache au Yukon 6

When the hunter arrives for this year's moose hunt, a young woman who is new to the hunting team is introduced. He watches her during the hunt and then he steps into action.

Goofy (front) and Donald (rear) are dressed in a moose suit, trying to lure moose for hunter Mickey. When they do find one, it turns out to be more than they can handle.

Donald is inspired by the spirit of his forefathers to take up a gun and go hunting for his food.

When two moose find tracking collars on their necks, they think they are dog collars and try to find an owner.

A big-game hunter travels to Malaya to help stop the Nazis and Japanese from destroying the rubber industry.

A city teen travels to Montana to go hunting with his estranged father, only for the strained trip to become a battle for survival when they encounter a grizzly bear.

Evil poachers killing rhino’s who turn to butchering humans instead, blah, blah, blah... Deon Stewardson kills the main villain in a fight at a taxidermists workshop - impaling him on, wait for it, wait for it... a rhino horn!

When the innocence of youth culture collides with the skepticism and sensationalism of mass media. Celebrates the life of punk and the true motivators of the original scene, now seen on camera with their legendary stories of how it all began. The teenage youth of the 80’s, whose bigger goal was racial harmony and speaking up against the oppressive establishment. Fighting for a life that’s worth having, as there were no jobs, and utilized music as a way of life and the uniforms set them apart. However, this uniform also made them a target for the media.

Andreas Gabalier – 10 Jahre Volks-Rock'n'Roller: Das Portrait

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.