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Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

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L'Homme Panache au Yukon 2

L'Homme Panache au Yukon 10 - Chapitre Final

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Goofy (front) and Donald (rear) are dressed in a moose suit, trying to lure moose for hunter Mickey. When they do find one, it turns out to be more than they can handle.

Donald's "hunting spirit" takes him on a hunting trip. Unfortunately, everybody else seems to have the same idea.

When the hunter arrives for this year's moose hunt, a young woman who is new to the hunting team is introduced. He watches her during the hunt and then he steps into action.

When two moose find tracking collars on their necks, they think they are dog collars and try to find an owner.

A big-game hunter travels to Malaya to help stop the Nazis and Japanese from destroying the rubber industry.

A city teen travels to Montana to go hunting with his estranged father, only for the strained trip to become a battle for survival when they encounter a grizzly bear.

Evil poachers killing rhino’s who turn to butchering humans instead, blah, blah, blah... Deon Stewardson kills the main villain in a fight at a taxidermists workshop - impaling him on, wait for it, wait for it... a rhino horn!

Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.

Gretel, a real estate broker, guides us through places laden with sentimental value and the memories behind each object, each space. The property owners share a deep desire for change and the uncertainty of an island in transition. While property transactions are common in Latin America, in Cuba, they are a recent reality, offering an opportunity to reflect on the value of a house – as a home and as a metaphor for the system, for a nation.

A look at the April 15, 1989 tragedy at Hillsborough Stadium in Sheffield, England, where a stampede in the stadium's standing-room-only areas killed 96 people and injured 766. The film also examines the ongoing efforts of victims' families to seek truth and justice, as well as tangible effects on English football, including stadium upgrades and the emergence of the English Premier League.