Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.
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Goofy (front) and Donald (rear) are dressed in a moose suit, trying to lure moose for hunter Mickey. When they do find one, it turns out to be more than they can handle.
Donald's "hunting spirit" takes him on a hunting trip. Unfortunately, everybody else seems to have the same idea.
When the hunter arrives for this year's moose hunt, a young woman who is new to the hunting team is introduced. He watches her during the hunt and then he steps into action.
A big-game hunter travels to Malaya to help stop the Nazis and Japanese from destroying the rubber industry.
When two moose find tracking collars on their necks, they think they are dog collars and try to find an owner.
Evil poachers killing rhino’s who turn to butchering humans instead, blah, blah, blah... Deon Stewardson kills the main villain in a fight at a taxidermists workshop - impaling him on, wait for it, wait for it... a rhino horn!
A city teen travels to Montana to go hunting with his estranged father, only for the strained trip to become a battle for survival when they encounter a grizzly bear.
In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.
Lot Lizard is a feature documentary about truck stop sex workers in America. There are three million truck drivers and thousands of truck stops throughout the United States. Many of them are frequented by sex workers who truck drivers refer to as lot lizards. The film follows Jennifer, a recovering sex worker who is trying to get her life back on track, Bobby, a man struggling to come to grips with his girlfriend's livelihood, and Betty, an aging sex worker who makes no apologies for her lifestyle. These intimate portraits hint at a broader story about America, how it deals with its 'derelicts,' and how we are implicated as consumers.
Goodbye Tornio is a vivid depiction of being young, fearlessly following your dreams and figuring things out on your own as you go. Eighteen-year-old Vilma celebrates her graduation from high school, with toasts from loving parents and parties with best friends, before leaving her hometown in Lapland and moving to the big city.