L'Homme Panache au Yukon 8

Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

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L'Homme Panache au Yukon 10 - Chapitre Final

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When the hunter arrives for this year's moose hunt, a young woman who is new to the hunting team is introduced. He watches her during the hunt and then he steps into action.

Goofy (front) and Donald (rear) are dressed in a moose suit, trying to lure moose for hunter Mickey. When they do find one, it turns out to be more than they can handle.

A big-game hunter travels to Malaya to help stop the Nazis and Japanese from destroying the rubber industry.

When two moose find tracking collars on their necks, they think they are dog collars and try to find an owner.

A city teen travels to Montana to go hunting with his estranged father, only for the strained trip to become a battle for survival when they encounter a grizzly bear.

Evil poachers killing rhino’s who turn to butchering humans instead, blah, blah, blah... Deon Stewardson kills the main villain in a fight at a taxidermists workshop - impaling him on, wait for it, wait for it... a rhino horn!

Donald's "hunting spirit" takes him on a hunting trip. Unfortunately, everybody else seems to have the same idea.

The cast and crew of Scream 4 discuss the making of the movie.

In 2009, a man and two accomplices try to evict members of the Indigenous community of Chuschagasta in northern Argentina. Claiming ownership of the land and armed with guns, they kill the community’s leader, Javier Chocobar. The murder is caught on video. It takes nine years of protests before court proceedings are finally opened in 2018. During all this time, the killers remain free. The film combines the voices and photographs of the community with courtroom footage to explore the long history of colonialism and land dispossession that led to this crime.

Using home videos recorded by her voice coach, Diana takes us through the story of her life.