We're in a Fight

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

Rigadin and his rival use camera/projector systems to reach their objectives.

Eso te pasa por barroco

It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.

Amidst the chilly white winter, bright-eyed Alma, wanders through Barcelona’s cobblestone streets. Suddenly, she spots an unassuming toy shop. Her gaze is drawn to a nearly identical figure staring back at her from the storefront window. As if by magic, the shop’s door swings open. But to her bewilderment, her elusive twin is nowhere to be found.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.

The life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.

Scrat tries to finish his rather large collection of acorns when things start going nutty.

A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.

An unnamed man is house-sitting for his friend Imogen. Imogen calls to remind him to take her dog Rothko for a walk, but Rothko takes him for a walk instead.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

With script and direction by Pablo Villaça and starring the comedian Geraldo Magela, Morte Cega has as main character a failed filmmaker named Francis (Maurício Canguçu, producer and one of the main actors of the theatrical success "Believe, a Spirit Downloaded Me"). One night, Francis has a frightening dream about Magela, known throughout the country for playing the character O Ceguinho. Determined to make a short film based on this dream, Francis uses his producer friend, Martinho (Carlos Magno Ribeiro, who acted in Villaça's first short, A_ética), to get to the comedian. From then on, the meeting brings unexpected results for everyone involved.

My Aunt, My Cousin

Aliens have come from the planet Uranus to steal Earth's resources. Its up to a group of Go-Go dancing Private eyes to stop them!

Dealing with life's troubles is never easy. Many people find comfort in the soothing words of their trusted therapist. Mr. Talbot does not. His therapist, has a tough love approach. Not convinced of Talbot's assertion that he's a werewolf, she invites him to her office the evening of the full moon. Talbot insists that he's really dangerous. As the doctor insists Talbot's delusional, suddenly he begins to change. Prepared, Dr. Steiner has no trouble curing her patient. For good.

In this clever satire of toxic men, a cartoon pickup artist is violently torn apart by the women he targets, seen only through his own one-sided, ridiculously misogynistic point of view. Don Hertzfeldt's first student film, he plays the part of a mentally unwell animator who's losing his grip within his own movie; an idea he'd later revisit in other early "meta" shorts "Genre" and "Rejected". Despite being produced at the age of 18 and not intended for exhibition, HBO named it "The World's Funniest Cartoon" in 1998.