Justice - Live At Vive Cuervo Salón, Mexico City

Pro-shot live recording of the now infamous gig of legendary industrial band Skinny Puppy. Performed in Dresden at Germany's Doomsday Festival. This performance marked the reunion of former bandmates, cEvin Key and Nivek Ogre. It was the first Skinny Puppy concert since 1992, first in Europe since 1988, and first ever in the former East Germany.

A musical documentary and tribute to Hugh Le Caine. The story of early electronic instruments, and the nearly forgotten Canadian music pioneer who created the first synthesizers. As told through interviews with three modern-day modular synth musicians.

Dive into the retro world of the classic toyline in this experimental film accompanying a dungeonsynth, 80s, cheap-fantasy-VHS, vaporwave-adjacent album from musician/artist Dreamcastle™.

Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.

LUZIA takes you to an imaginary Mexico, like in a waking dream, where light (“luz” in Spanish) quenches the spirit and rain (“lluvia”) soothes the soul. With a surrealistic series of grand visual surprises and breathtaking acrobatic performances, LUZIA cleverly brings to the stage multiple places, faces and sounds of Mexico taken from both tradition and modernity.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

Boom Festival - We Are One (Official Release) 2006

Live concert by West-German electronic musician and composer Klaus Schulze and the Australian singer Lisa Gerrard. Klaus Schulze is one of the few West-German musicians who is allowed to go on a celebrated tour in Poland 1983, largely due to the instrumental nature of his music, and he was later asked to return and play at the 70th anniversary of the Soviet Assault on Poland September on September 17, 2009 in Warsaw in the courtyard of the Royal Palace. Together with Lisa Gerrard, acclaimed exceptional artist and singer of Dead Can Dance, Klaus Schulze delivered an intensive performance in impressing scenery. The second DVD contains, a full length documentary and encore performances.

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

VISITAS

This documentary offers a behind-the-scenes look at Björk and her touring entourage for the 2001 Vespertine tour. It includes interviews with harpist Zeena Parkins, the Inuit choir from Greenland, electronic duo Matmos, and an ongoing conversation with Björk herself about her recordings and her tours. The documentary is interspersed with live footage of songs from the tour shot by Ragnheidur Gestsdóttir, which themselves correspond to the performances chosen for the Vespertine Live album.

Journey through the music videos and short films from Jimmy Cauty and Bill Drummond in their various guises as The JAMs, The KLF and The Timelords, one of the most successful and subversively creative electronic bands of the early 90s.

A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.

Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.

For Donald's birthday he receives a box with three gifts inside. The gifts, a movie projector, a pop-up book, and a pinata, each take Donald on wild adventures through Mexico and South America.

Lila Downs - Pecados y Milagros

MTV Unplugged is the first live album recorded by Mexican singer-songwriter Julieta Venegas. The album features a selection of her greatest hits, along with new tracks, including the singles "El Presente" and "Algún Día". A handful of guest artists was included: Gustavo Santaolalla, Natalia Lafourcade, Marisa Monte and La Mala Rodríguez.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

Quite simply the finest theremin player who has ever lived, Clara Rockmore began her performing life as a violin prodigy at the age of 5 years old, still the youngest person ever admitted to the prestigious Imperial Conservatory of Saint Petersburg where she studied under the great Leopold Auer. Due to childhood malnutrition causing bone problems in her teen years, she was forced to give up the violin and moved to New York City in the mid 1920's where she met and became involved with Russian electronics genius Leon Theremin and helped him to refine and perfect his new instrument, giving advice from the standpoint of a musical performer to make the theremin more playable and developing her own hand techniques and exercises for playing the instrument.

Drawing on rare performances, interviews, animations, and experimental film, this documentary surveys the formative years of electronic music from 1948 to 1980. Featuring pioneering composers and inventors—including Milton Babbitt and Leon Theremin—the film explores the experimental technologies, academic laboratories, and creative struggles that shaped the early evolution of electronic sound.