Pepín Bello, el hombre que nunca hizo nada

Crossing the vast outskirts of the big city we can glimpse that after the great future catastrophes there will still be room for the promise of a new youth, perhaps the last one.

On March 30, 2022, Barcelona and Real Madrid's rivalry was at the forefront of football. But this time, it was the women's teams who were centre stage as they played out a seven-goal thriller in front of a world record crowd of 91,553 fans.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Christian Karl Gerhartsreiter lived a life of deception and crime before settling on his ultimate scam - impersonating a Rockefeller. How was Gerhartsreiter able to dupe so many people from so many walks of life? A story that begins in a Bavarian village, continues in the most exclusive clubs on the American East Coast, - and ends in a Los Angeles court.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Mein Name sei Altmann

A look at the many attractions, resort hotels, and other amusements at Walt Disney World in its first year of operation.

In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.

Despejadas

In 2018, when Juraj Jakubisko celebrated his 80th birthday, his students from the Miroslav Ondříček Film Academy in Písek, led by director and composer Patrik Ulrich, decided to pay tribute to him with a 30-minute documentary. The documentary focuses on three of the artist's key activities: film, visual arts and teaching. Quite a lot has been written and filmed about Jakubisko's film work, so the most interesting part of the film is a unique insight into Jakubisko's artistic world. For example, the protagonist shows us the pages of his cartoon diary. Jakubisko's collaborators, including his wife Deana and cameraman F. A. Brabec.

In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.

Documentary looking at the life and career of 1930s film star Leslie Howard. It features exclusive home movie footage, including footage from the Gone with the Wind set. The film includes extensive interviews with Howard's daughter, Leslie Ruth "Doodie" Howard, and contributions from friends and colleagues.

Chasing Great is an insightful portrayal that weaves Richie McCaw's life story into his final season as an All Black, revealing the determination and mental toughness of an international sporting legend who still sees himself as an 'ordinary guy' from small town New Zealand.

Photographer Helmut Newton talks about his work.

A deep dive into the creative mind of University of South Carolina student fashion designer, Kaitlyn Howard.

The film tells about complete dedication to music, about faith in his own path, which was often different from what everyone recommended. About how great social revolutions and life's upheavals can be overcome with elegance.

The decisive years of Swedish soccer player Zlatan Ibrahimović, told through rare archive footage in which a young Zlatan speaks openly about his life and challenges. The film closely follows him, from his debut with the Malmö FF team in 1999 through his conflict-ridden years with Ajax Amsterdam, and up to his final breakthrough with Juventus in 2005.

The true story of Wanda Rutkiewicz, the first woman in the world and the first person from Poland to climb the highest peaks on earth, told by herself.

Based on photographer William Yang's one man stage show, "Sadness" chronicles two diverging narratives through the use of slide photography, oral history and stylised recreation. One story follows Yang's pilgrimage into the heart of the North Queensland sugar cane fields as he investigates the murder of his uncle Fang Yuen. The other is a series of moving portraits of the many friends and lovers Yang has lost to AIDS. Director Tony Ayres skillfully weaves these two separate stories together creating a powerful testament to family, friends, love and loss. Cinematography by Tristan Milani. Narrated by William Yang.