In Jacob Sutton’s film “Ascension”, two young dancers soar up from the darkness beneath the stage at Bastille to the sumptuous Grand Foyer and eventually to the rooftop of the Palais Garnier, where they experience moments of heavenly, dreamlike luminosity.
After being invited by Benjamin Millepied to a rehearsal for the L.A Dance Project's premiere performance, Oscar-nominated director Alejandro G. Iñárritu was inspired to make a video-exercise that documents movement and dance in an experimental way, with a stream of consciousness narrative. The story takes place in a secluded, dusty space and centers around LADP dancer Julia Eichten who seems to be on an eternal search... for herself.
How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
This is Ska is a Hi-Energy documentary on JAMAICAN dance music from 1964
Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.
Men and women of the !Kung people in Ojokhoe, Namibia perform healing dances by firelight. First we see men perform the giraffe dance, and then women perform the !gwa dance.
The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.
This intimate, uncannily moving documentary profiles Norma Canner, a pioneer in dance movement therapy, who found in dance a way to help people who had been discarded by society. The film traces the evolution of Norma's career from Broadway actress in the '40s, through her ground-breaking work in creative movement with disabled and mentally retarded children in the '60s, to her present work as a dance therapist with adults. Utilizing drawing, music, theater, and dance in the context of other modes of therapy, her work has proved extraordinarily beneficial for handicapped individuals, as well as providing cathartic healing experiences for those with deep emotional scars; And her work with children who were blind, deaf, or autistic has became a model.
Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary
Witnessing the disparities and conflicts among a group of young adults, a clear-sighted 10-year-old boy triggers a series of musical, choreographic and culinary conversations. Drawing on the languages of music, narrative, dance and cinema, Beat explores the challenges of bringing together a diverse group of individuals without quashing their differences.
A loner fresh out of rehab and hunted by both sides of the law returns home to solve the murder of his sister, and finds himself entangled in a game of revenge on the LA club circuit.
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
The final story of Michael Flately's Lord of the Dance series. Spectacular show.
Merlin nightclub opened in 1992 in Barcelona and its medieval appearance did not leave anyone indifferent from the first day. After more than 30 years of enjoying the night with its characteristic atmosphere and varied musical selection, the castle was forced to close its doors in January 2023 despite filling the room every weekend. This video immortalizes the place through its regular customers and staff.
When a hip hop violinist busking in the New York subway encounters a classical dancer on scholarship at the Manhattan Conservatory of the Arts, sparks fly. With the help of a hip hop dance crew they must find a common ground while preparing for a competition that could change their lives forever.
In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art
Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.
Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.
Recording of a performance by Ballet de l'Opéra national de Paris of the ballet on Music for 18 Musicians by Steve Reich, choreographed by Anne Teresa De Keersmaeker.
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