Single Or Double

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.

Johanna finds herself in a snowy place of silence. What lies behind is a ghostly relationship between two people and their longing for connection. Disappointed expectation, illusion, exuberance, in an interchangeable city backdrop. Caught up in naive hope. Only through deep pain does Johanna come close. She breathes.

Follow the Prophet is an American film that was written by and stars Robert Chimento, which was created to show how polygamist lifestyles affect the children involved. In the film, a young girl escaping from a polygamist cult is aided by an Army Colonel and a renegade female Sheriff who join forces to save an even younger girl from a secret "marriage" to the cult's leader.

Eva is a divorced soon-to-be empty-nester wondering about her next act. Then she meets Marianne, the embodiment of her perfect self. Armed with a restored outlook on being middle-aged and single, Eva decides to take a chance on her new love interest Albert — a sweet, funny and like-minded man. But things get complicated when Eva discovers that Albert is in fact the dreaded ex–husband of Marianne...

When 17-year-old Ben visits his father Heinrich in Marrakech, it is the start of an adventurous journey through a foreign country with a picturesque charm and a rough beauty where everything appears possible — including the chance that father and son will lose each other for good, or find one another again.

A shy caretaker believes that the father of her teenage charge is falling in love with her, unaware that she is actually the victim of the girl's prank.

When mining engineer Stephen Pachmann (Jack Livingstone) is sent to Mexico to investigate a mine, his wife Paula (Velma Lefler) is so miserable that her brother, Bruce McLean (Forrest Stanley) offers to go in his place. While south of the border, Bruce gets involved with an aristocratic Spanish girl, Paula Figueroa (Leonore Ulrich).

Hao's Singaporean restaurant is in danger of going out of business. Hao's grandson, Mark, secretly travels to Shanghai to attend a cooking competition despite his grandfather's wishes for him to become an engineer. Mark takes the place of a contestant who did not show up and must now impress the host, Julia Lee, and her chef husband, David Chen. Chen, who is originally from Singapore and misses his family, eventually learns he is Mark's father.

The picture reveals the problem of drug addiction in contemporary life. Drug addiction can be resisted by strong character young people while others lose everything: friends, love and life. Metiss is a talented rapper, who managed to overcome drug addiction, but paid high price for it losing the girl he loved. One day, he comes across Linda, a young woman whom he tries to save.

Ahmad belongs to the Bangsamoro people. While many of his kind are bent on fighting, thinking that Mindanao is only for the Muslims, Ahmad prefers to live a simple and peaceful life. He works as a doctor in Manila while his wife, Fatima, and his only son, Ibrahim, stay in Mindanao with his mother, Farida. Ahmad is shocked and devastated when Fatima breaks the confounding news. Ibrahim was killed by a stray bullet when vigilantes indiscriminately fire at their village. Ahmad goes back to where he came from Mindanao. Ibrahim’s death did not cause Ahmad to stop striving to live a peaceful life, much to the consternation of his brother, Musa. His brother takes an exactly opposite stand. Musa believes in waging a war against all the Kaafir (unbelievers) who may impede the Moro’s goal of independence. He even trains his young son, Rashid to a Muslim warrior’s life.

A small group of friends battle to survive in the middle of the forests and fjords of Norway. The story is based on Norwegian legend thought to be innocent folklore.

A story of relationships that explores the intricacies of the married life, of life-long companionship, of promises and expectations and love.

Set in the present times against two backdrops, New Delhi with its shining buildings and apparent cosmopolitan veneer thinly veils an underbelly of crimes against women and corruption at all levels. And a small village just 80 kilometers from New Delhi that is stuck in a time warp. Kajarya a woman in her early thirties has a strange but important place in the village social structure; she murders unwanted girl infants in the garb of religion. Meera is a rookie reporter.

Sam lives in a place where everything is polished and secrets are cleaned up and kept. So when Georgina goes missing, everyone acts like nothing happened. But Sam can't stop thinking about her, the enigma who lived next door, swimming daily in her pool. As Sam drifts back into his memories of Georgina, he comes to realise he may know more than he wants to remember.

The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.

As seen in flashback, this is the story of 43-year-old Julie a beautician who when 15 was forced by her mother to give up her baby for adoption. Her son, now 28, a minister, with his wife expecting, begins to search for his biological mother to find out his family medical history. She hears of his search and reunites.

Two young girls who live in a small town in Lower Austria dream of America, men and love. They live in Ternitz, they dream of Tennessee.

Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.

10 filmmakers provide 10 separate stories focusing on the 18 days of the 2011 Egyptian revolution. Ten stories they have experienced, heard, or imagined.