On ne marche qu'une fois sur la lune

Seventy-five years after Brad Washburn, one of the greatest aerial mountain photographers of all time, first shot Alaska’s Denali Mountain from the open door of an airplane, climbing buddies Renan Ozturk, Freddie Wilkinson, and Zack Smith look at some of his mountain photographs and have this crazy idea. Rather than go up, their dream is to go sideways across the range’s most foreboding peaks, the Moose’s Tooth massif. It’s a fresh new way to explore the same landscape Washburn first discovered. As the group endures rough conditions, disintegrating ropes, and constant rockfall, their desire to be the first to complete the audacious line grows into an obsession. But friendships begin to fray when Renan suffers a near fatal brain injury, forcing all three partners to decide what’s most important to them.

At the peak of her career as a rock climber, Catherine Destivelle goes to the United States to get away from the competitions and to recharge batteries. There, Destivelle travels by car through Utah and Wyoming to make spectacular free solo ascents in Indian Creek, where she soloes 'Supercrack' (5.10d), in Dead Horse Point State Park, and on the iconic Devil's Tower, where she climbs unroped the second half of the classic 130-foot route 'El Matador' (5.10d).

Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.

The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.

After years of mass tourism in the Alps, a rethinking is slowly taking place. Whether researchers, artists or philosophers, many are trying to approach the essence of the mountains in new ways.

For decades, an elite handful of climbers have competed for the coveted speed record on the 3,000-foot Nose of El Capitan, risking big falls to shave mere seconds off the fastest time. When a record held by superstar Alex Honnold is broken by little-known climbers Brad Gobright and Jim Reynolds, Honnold drafts fellow climbing legend Tommy Caldwell to establish a new mark that will stand the test of time. Honnold pushes for perfection while Caldwell, a family man, wrestles with the risk amid a series of accidents on the wall that lay bare the consequences of any mistake.

The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

In Memory of Korra

Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.

Bravo Marcel

In every sport there are men, myths and legends. In the world of rock climbing, there is only one name -- John Bachar. Controversial and uncompromising, Bachar pushed the boundaries of what was possible and raised the world's standards at a time when climbers merely pursued the physical in climbing. A true rock star, he soloed 5.11 when 5.12 didn't exist, created the first 5.12 in Yosemite Valley, bouldered harder, climbed stronger, and refused to compromise his ethics along the way. Then, at the height of his fame, he disappeared. This is his story. This is the latest climbing DVD release from director/producer Michael Reardon. This is a first hand account of John Bachar and his free soloing (no rope) mastery during the late 1970s and early 1980s. Featuring interviews with Royal Robbins, Peter Croft, John Long and John Gill, the film contains footage of Bachar soloing some of the hardest climbs of their time in Germany, Spain, and his home stomping grounds of Yosemite Valley.

Maurice Barrard and Liliane Bontemps met in 1973 in Peru. Four years later, they are married and start their life together in the Loire Valley. She is a physiotherapist, he is an educator. For them, although settled not far from Chartres, the mountains are never far away. Whenever the opportunity presents itself, they embark on high-altitude expeditions. First individually, then together. In 1982, they were at the top of Gasherbrum 2, an ascent filmed in this documentary prelude to other future ascents including the Nanga Parbat in 1984, after an aborted attempt a year earlier, which made Liliane Barrardi the first woman to climb this mountain. of Karakoram. The "tallest couple in the world" will not stop there. After the Makalu in 1985, in the spring of 1986 they will attempt the ascent of K2 and its 8,611 meters... Un Homme, Une Femme, Un 8000 was broadcast in the program Les Carnets de L'Aventure in 1983.

As darkness fell on May 10, 1996, a fast moving storm of unimaginable ferocity trapped three climbing teams high on the slopes of Mount Everest. The climbers, exhausted from their summit climb, were soon lost in darkness, in a fierce blizzard, far from the safety of High Camp at 26,000 feet. World-renowned climber and filmmaker David Breashears, who aided the rescue efforts back in 1996, now returns to Everest to tell the fuller story of what really happened on that legendary climb. Through remarkably intimate interviews with the climbers and Sherpas many who have never spoken before on American television Breashears sheds new light on the worst climbing tragedy in Mount Everest s history.

In 1966, John Harlin II died while attempting Europe's most difficult climb, the North Face of the Eiger in Switzerland. 40 years later, his son John Harlin III, an expert mountaineer and the editor of the American Alpine Journal, returns to attempt the same climb.

The word Pyreneism was invented by the writer Henri Beraldi at the end of the 19th century. Its definition did not come down to a simple practice of mountaineering in the Pyrenees. To be recognized as a Pyrenean, it was necessary to “ascend, write and feel”. An approach to the mountains, according to him, necessarily accompanied by an artistic or intellectual activity. This documentary looks back at the Pyrenees who have left their mark on history, before interviewing contemporary mountain dwellers who, through their mountain practice, consider themselves, or not, Pyreneanists. What prompted Beraldi to coin this term? Does it result from a Pyrenean complex facing the Alps? Chauvinism or a demand for identity? And today, does this word still have meaning? Beyond the reflection on the subject, this film is a wonderful tribute to the massif.

In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service. And up on the walls, generation after generation has pushed the limits of climbing, vying amongst each other for supremacy on Yosemite's cliffs. "Valley Uprising" is the riveting, unforgettable tale of this bold rock climbing tradition in Yosemite National Park: half a century of struggle against the laws of gravity -- and the laws of the land.

René Collet, skier member of the French team, guides a friend from the summit of the Aiguille du Midi. This descent is an opportunity to focus on the remarkable elements of the terrain: the cable car and its work still in progress, the surrounding peaks (Capucin, Mont Maudit, Mont Blanc). The two skiers stop regularly, here to observe climbers scaling the south face of the Aiguille, there to visit the Cosmiques Laboratory. They even take the time to rescue a skier stuck in a crevasse at the Séracs du Géant, before continuing their descent in style onto the Mer de Glace.