Released from prison with terminal cancer, Max tries to reconnect with his estranged daughter and the grandson he’s never known. When his daughter’s abusive, drug-addicted ex-husband reappears, Max’s violent past comes back to haunt them all.
In Bodeen, Texas, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.
In Manhattan, a mother of two preparing for her daughter's sixth birthday party has no idea of the challenges she's about to face in order to pull off the event.
The film is based on a 2003 novel by the same name, written by Norwegian author Jostein Gaarder. The main character is the young boy Georg who one day finds a long letter from his deceased father. The letter tells, among other things, about the father's youthful love for the mysterious "orange girl" (appelsinpiken), and leaves a mystery for Georg to solve.
Quiet, unassuming Adam is changing in a major way, thanks to his new girlfriend, art student Evelyn. Adam's friends are a little freaked by the transformation.
While Sergeant John Tyree is home on two weeks leave from Germany, he meets Savannah after he dives into the ocean to retrieve Savannah's purse that had fallen off a pier. John eventually falls in love with Savannah, who promises to write to him until he returns from overseas.
Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.
When the bride is kidnapped as part of a wedding tradition, she uses the game as an excuse to not participate in her own wedding party. The bride might not want to be found, the bridegroom may not want to find her. Through the chase, both newlyweds find out that now tied together, the challenge of finding a way to each other is just about to start.
Sam decides to stop pursuing charges against her rapist and spend Thanksgiving alone on her family's Virginia farm. Her brother stages an intervention with seven of Sam’s friends to persuade her to return.
Set in the backdrop of a graduation college, the film seeks to mirror how love has evolved in the age of 3G connectivity. It is all about teenage love, infatuations, heartbreaks, betrayals and other such tribulations amidst ten couples in love.
Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
It is in the culture of the Filipinos that when a person dies, you can whisper and send your wishes to the dead. The film is about a family who happens to take care of their ailing mother / grandmother. They see this as a burden in their lives and they wait for her death so they could whisper their wishes.
Three people cross paths at a local town carnival, each with something to gain and to lose. One of them acquires it, the other two pay the price.
Caught between a lost-love story and inescapable paranoia, "Go/Don't Go" is a genre-bending slow-burn thriller that follows Adam, a wallflower who happens to be the last person left alive--or so he thinks.
Middle-aged Late is building a fence in his family home for a summer break, but he falls in love with his daughter's new friend, 16-year old flirtatious Saija.
A widower and his daughter witness the retirement of a colleague of his and the closing of her department at her university.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
There are terrible things happening in the desert...unexplainable, frightening things. Tragic, inexplicable incidents… ever since she arrived.
Essai Post-Romantique