my I's

A rich man rewards a tramp for defending him from muggers with a large sum of money in the form of a single bank note. Nobody can cash the big bill the tramp is carrying and hilarity ensues.

A determined young Alaskan native learns to appreciate and perpetuate village traditions through conversations with his grandfather, a legendary dog-sledder.

The haunting true story of a glove that’s been floating in space since 1968.

Told with heart, humor, and a little bit of magic, Dragonfly is a female led feature film about homecoming and healing for a Midwestern family divided by divorce and illness. Struggling artist Anna Larsen’s mother has never understood her. When her mom is diagnosed with early onset Alzheimer’s, Anna returns home to help but brings years of family baggage with her. As she unpacks her past, Anna rediscovers a mysterious mailbox from her childhood and embarks on a search to solve its mystery. What she learns along the way may just be the key to rekindling her own magic.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.

Soof is reaching 40 and has everything she ever wanted: three children, a small catering business, a sweet husband Kasper and a lovely home. Until she starts asking herself: 'is this all there is'?

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.

Gloria returns to her bleak home town after failing as a singer in New York. She falls for a grifter who claims to be the former manager of a famous singer. Her passion for singing is reborn, but she is pushed into uncharted territory.

From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

An unlikely love story between polar opposites Uno and CJ two strangers, and how one night changes their lives forever. Unforeseen circumstances collide and force Uno and CJ to live under the same roof as they both deal with their sense of responsibility and their yearning for security. Uno is motivated by his sense of family while CJ is governed by an unconditional love that should put her first above everything else. The unlikely thing that binds Uno and CJ together paves the way for them to find in each other the kind of love they never thought they needed.

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

A precocious high school senior finds an unlikely lifeline in her court-mandated therapist after she is ostracized from school after a sexual transgression with her English teacher goes viral.