Os Outros

Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.

Dr. Helen Caldicott, firebrand anti-nuclear campaigner, celebrated author, and Nobel Peace Prize nominee, is too alarmed to retire. Certain that the White House's War on Terror is escalating the global nuclear arms race, she embarks on an explosive crusade across post 9/11 USA, armed with her fifth book, 'The New Nuclear Danger', and a furious determination to rally the American people against Star Wars and the new nuclear weapons labs before it is too late.

When Umi and Dwipa left Indonesia to work in an Ontario greenhouse as part of Canada's Temporary Foreign Worker Program, they hoped the jobs would provide the opportunity and income for a better life. They didn't expect that fixers and false promises would lead to deception and exploitation. Sadly, their story is not uncommon. Min Sook Lee continues to speak truth to power with her commitment to providing a voice to the silenced, fulfilling documentary's capacity as a powerful tool for social change.

Meet Tajikistan's answer to the Jackson family. Nearly 80, Allo "Papa" Alaev rules his celebrated folk music clan with an iron tambourine. Beginning with his unilateral decision to emigrate to Israel, the gifted musician micro-manages nearly every aspect of their lives, both on stage and off. From every meal made in his kitchen to what instrument each member will play, the patriarch accepts nothing less than total commitment and obedience. Every child and grandchild lives in their single-family house in Tel Aviv. All but one, that is. His only daughter, Ada, chose her own way in life, a sin her father will not forgive. As generations clash over new musical directions, competing personal interests and Papa's advancing age, the family show must go on—but who will lead the band? Set to a blazing tribal soundtrack, drama and drumbeats sing out from every entertaining exchange in this grand family affair.

A fluid documentary in which director Luostarinen interviews fifty women on birth, body image, and the harshness of contemporary attitudes toward physicality, aging, and inevitable death. The focus is on female bodies, their variety, and the prejudices, processes, and living to which they - and the souls within them - are subjected.

The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home

Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.

René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.

She was once as famous as Jackie O—and then she tried to take down a President. Martha Mitchell was the unlikeliest of whistleblowers: a Republican wife who was discredited by Nixon to keep her quiet. Until now.

A documentary examining the mysterious deaths of three young Indigenous women in south-central Montana, featuring access to family members, tribal officials, law enforcement, and community activists.

Anne Braden: Southern Patriot is a first person documentary about the extraordinary life of this American civil rights leader. Braden was hailed by Dr. Martin Luther King Jr. in his 1963 Letter from Birmingham Jail as a white southerner whose rejection of her segregationist upbringing was eloquent and prophetic. Ostracized as a red in the 1950s, she fought for an inclusive movement community and mentored three generations of social justice advocates. Braden’s story explores not only the dangers of racism and political repression but also the power of a woman’s life spent in commitment to social justice.

A body is growing and developing in front of the camera, absorbing sensations and emotions, confronting its limits and its darker hidden parts. A body that through the years abandons itself to the character, transforming what could be seen as simple (children's) play-acting into the true work of an actor.

A film interpretation of the poem 'The Leaden Echo and the Golden Echo' by Gerard Manley Hopkins. Margaret Tait speaks the poem throughout the film.

An intimate portrayal of life on the edge in the war-torn city of Sderot. Once known for its prolific rock scene that revolutionized Israeli music, for thirteen years the town has been the target of ongoing rocket fire from the Gaza strip. Through the personal lives and music of Sderot's diverse musicians, and the personal narrative of the filmmaker, who ends up calling the town home, the film chronicles the town's trauma and reveals its enduring spirit.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?

Chronicles the adventurous life of Hungarian-born Jewish lawyer Benjamin Ferencz, who fled to the USA as a child and later became chief war crime prosecutor in the Nuremberg Trials of 1945-1949 and one of the founding members of the International Criminal Court, which entered into force in 2002.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

Classic film star and queer icon Montgomery Clift’s legacy has long been a story of tragedy and self-destruction. But when his nephew dives into the family archives, a much more complicated picture emerges.

The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images of light and movement that take her far from the hospital bed. A a cancer ‘thriver’ rather than ’survivor’, Barbara Hammer rides the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothlls of the Big Horn in Wyoming, and leafy paths in Woodstock, New York changing illness into recovery. The haunting and wondrous music of Meredith Monk underscores and celebrates in this film that lifts us up when we might be most discouraged.