Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.
“Everyone steals according to one’s position in society.” A social critique, a credo to live by, and a recipe for the hilarious satire of Jacques Offenbach’s Les Brigands! The Opéra Comique’s rollicking 2011 production took full advantage of the talents of stage directors Macha Makeïeff and Jérôme Deschamps (members of the wildly successful French comedy troupe Les Deschiens) and the accomplished music director François-Xavier Roth.
The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s great conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books.
La forza del destino - Giuseppe Verdi
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.
Acis a Galatea
Il Barbiere di Siviglia
Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions. A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'.
Live performance from Chorégies d'Orange, 11 July 2015.
Filmed production of Bizet’s Carmen at Earls Court in London, June 1989.
Live performance from the Metropolitan Opera, 25 March 1997.
Martin Kušej's brilliant 2006 Carmen represents a landmark interpretation of a truly timeless opera. Led by Rolando Villazón as Don José and Marina Domashenko in the title role, the virtuoso cast joins forces with the celebrated Staatskapelle Berlin under the direction of the legendary maestro Daniel Barenboim.
Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.
Live performance from Teatro alla Scala, 7 December 2009 .
Live performance from the Vienna State Opera, 6 May 2010.
This 2003 performance of Georges Bizet's 19th century opera Carmen was produced and directed by filmmaker and stage director Franco Zeffirelli, best known to many for the Academy Award-winning big-screen adaptation of Shakespeare's Romeo and Juliet. Shot at the Arena di Verona, the production features Marina Domashenko in the title role and music by the Orchestra of the Arena di Verona under conductor Alain Lombard.