J'aime beaucoup ce que vous faites

Le Jeu de la vérité 2

1927. The place is Kalmar and the Grossman family home. A hungover manufacturer Julius Grossman and his wife Solveig are waiting at home for their daughter Betty to arrive by train from the capital. To their great surprise, she arrives in a car with her suitor Greger in tow. What's more, she seems to be full of contemporary trends and modern ideas about marriage, among other things. Her father Julius would rather see her marry his business partner Hilding and thus retain control of the company. Hilding is a dull, somewhat dreary, and slightly overage bachelor who suddenly becomes every woman's dream prince when a rumor begins to circulate that he had a relationship with the famous movie star Rita Ray in his youth.

Young William Shakespeare is forced to stage his latest comedy, 'Romeo and Ethel, the Pirate's Daughter', before it's even written. When lovely noblewoman Viola de Lesseps auditions for a role, they fall into forbidden love — and Shakespeare's play finds a new life (and title). As their relationship intensifies, the comedy soon transforms into tragedy.

Les Cachottiers

Les Bidochon - Telle est la réalité

Pozor, hodný pes!

Le Tombeur

Le Médecin malgré lui

Make Up

Cher Trésor

Amitiés sincères

Croque-monsieur

An explosive comedy, by the author of I really like what you do. Definition: Weapon of mass destruction with dreamy measurements, "babysitting" your children during the holidays. Put it there with a neurotic mother in full "post-natal" depression, a father who is in his midlife crisis, a friend of the heavy flirtatious incorrigible family and note the damage: An explosion ... of assured laughter.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Subversive hero or vile predator? Don Juan has appeared throughout history in many guises. Macha Makeïeff highlights the psychological and societal aspects of the character: desire, domination, and human darkness, which she contrasts with liberating and destructive laughter.

At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

Azaïs

Bisous Bisous

Tout bascule