The Brothers Mai

An attention-craving mother nearing 50, unemployed and living with her pregnant daughter and son-in-law, suddenly finds herself with child, too...

Rachel, a Jewish-American woman, moves to Vienna, Austria to work for the IAEA. She befriends Yitzhak, an Ethiopian Jew and former refugee, who lives in her apartment complex. When confronted with their shared cultural history, Rachel must reconcile her past with Austria's Holocaust history and the current refugee crisis gripping Europe.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

A geologist, Sarah Portico, travels to a remote island to investigate an environmental mystery. Upon her arrival, she experiences strange visions, dreams that seem to predict her future, and eventually force her to confront her painful past. As Sarah uncovers the cause of the environmental mystery, she discovers her true self. Out of the Fog is an experiential film about emotional healing and self-discovery.

A directionless teenager (Aesha Waks) becomes involved with a headstrong runaway (Summer Phoenix) and her drug-dealing brother (Sam Rockwell).

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.

Ruby and Garnet are identical twins, ten years old and inseparable. Since their mother's death they live with father and grandmother in the big city. When one day attractive Rose steps into father's life, Ruby and Garnet's whole life is turned upside down. They must leave their beloved granny and move to the countryside with father and that much hated "new one" because father wants to fulfill his most ardent dream to open a bookstore.

Charles Chinaski is a guy with many problems and feels responsible for most of them: women, alcohol, his hostility towards certain groups of people. One day, he decides to consult the first doctor he comes across.

Fantasy drama Rachel's Dream was set sometime in the future when the world is besieged by technology, young Rachel discovers that through a large bank of video screens in her sister's apartment, her wishes can come true when she brings to life the image on an anti-pollution poster. This new friend helps her to make up her mind about her own future.

Margy Kinmonth meets millionaire customers and world-famous designers as she explores the anachronistic but little-explained pocket of the fashion industry known as haute couture.

Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.

A woman travels across the United States, confronting memory while observing American culture through its hotels and motels.

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.

It is not just a story of four remarkable blind teenagers who know each other in a world without light, but also the story of a mother who struggles to help her son to rediscover the joy of life and his world after claimed to be blind. In Special School, Jingga knows Marun, Nila, and Magenta. This three new friends show that they can be independent though lacking in vision. They form a music group and prepare a recording for a music competition.

Football star Charlie has the world at her feet. With a top club desperate to sign her, her future is seemingly mapped out. But the teenager sees only a nightmare. Raised as a boy, Charlie is torn between wanting to live up to her father's expectations and shedding this ill fitting skin.

Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Edith and Wolfgang have led a fairly harmonious family life for many years, together with their son Danilo. Edith has long since got over Wolfgang's infidelity twelve years ago, which resulted in a daughter. Every now and then he visits 12-year-old Sandra, simply fulfilling his fatherly duties. But suddenly the girl appears at the door.