Kastaars

A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror

An ex-soldier encounters many dangers in the small town he lives in.

The aged farmer Gunnar and his visiting granddaughter Anna struggle with communication as their dog faces a terminal illness. Over a summer weekend, secrets unfold and the family must duel mortality.

In order to prevent further self harming, a young woman is forced to live in a new synthetic body, and must navigate intimacy in a physical form she fundamentally feels disconnected from.

This ode to standup comedy and overall antisocial, student film, headlined the 2002 film program at Long Beach.

En el río

Trotín Troteras is the disinterested witness of the absurd situations lived first by a lecturer and then by a soldier with an umbrella, which opens when it stops raining and closes when it rains…

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.

The boredom of a young middle-class woman at home a Sunday afternoon. Not to be confused with Carlos Saura's short of the same name produced in 1957.

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

A boy lives a fast-paced, free-roaming life with his friends on the streets of Dublin, which doesn’t always lead to good choices.

In the seaside town of Canvey Island, we meet Charlie, an 8-year-old boy with a great imagination. He spends his school summer holidays in isolation, playing with his toys and too afraid to leave his room. One fateful day he becomes so hungry he must venture downstairs and into certain danger to retrieve food. It is on this mission where he comes face to face with his greatest fear; his Zombie Parents! And his true adventure begins!

A broke Brit tries to pick-up girls, earn some money and navigate Los Angeles.

Bill is a reluctant astronaut in a fascist society.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.

Mickey Skinner is a truly talented actor. But he lacks that essential part of the 'what-you-know' versus 'who-you-know' equation. He's hard working and survives with no chip on his shoulder, right up until the final moment of the worst day of the rest of his life.

In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.

One of his first and the most famous undergrad shorts, which seems to forshadow the director's death. A prize winner at a film festival in Oberhausen, it does not bear any great resemblance to Wiszniewski's later films.It attempts to illustrate the subjective states of a character through expressionistic photography, hardcore jazz and associative editing.